Streetwear The Insider's Guide by Steven Vogel, 2007 streetwear-the-insiders-guide
books books book scans book-scans 2007 2007 Bounty Hunter bounty-hunter Hiroshi Fujiwara hiroshi-fujiwara steven vogel steven-vogel
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Download Streetwear: The Insider's Guide by Steven Vogel PDF
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Download Streetwear: The Insider's Guide by Steven Vogel PDF
Adidas Knitted Shoe Upper Patent adidas-knitted-shoe-upper-patent Adidas patent US20250160486A1: a one-piece knitted shoe upper combining elastic and stiffer yarn zones to place stretch and support without seams.
patent patent footwear footwear technical-drawing technical-drawing-2 design design adidas adidas white white
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Figures from US patent application US20250160486A1, 'Knitted Shoe Upper', filed by Adidas AG (inventors Stefan Tamm, Carl Arnese and James Carnes; published 22 May 2025). The upper is knitted in one piece with two zones, a more elastic yarn and a stiffer yarn, placing stretch and support without seams or separate reinforcement panels. The drawings show the yarn zones and construction across forefoot, midfoot
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Figures from US patent application US20250160486A1, 'Knitted Shoe Upper', filed by Adidas AG (inventors Stefan Tamm, Carl Arnese and James Carnes; published 22 May 2025). The upper is knitted in one piece with two zones, a more elastic yarn and a stiffer yarn, placing stretch and support without seams or separate reinforcement panels. The drawings show the yarn zones and construction across forefoot, midfoot and heel.
New Nomads: An Exploration of Wearable Electronics by Philips
New Nomads: An Exploration of Wearable Electronics by Philips new-nomads-an-exploration-of-wearable-electronics-by-philips The works of the Wearables Program has been meticulously recorded in the book titled "New Nomads: An Exploration of Wearable Electronics by Philips."
book scans book-scans new nomads new-nomads philips philips weatables weatables design details design-details advanced concepts advanced-concepts server server scans scans technology technology
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Dockers Equipment For Legs by Massimo Osti dockers-equipment-for-legs-by-massimo-osti
equipment for legs equipment-for-legs massimo osti massimo-osti pants pants waterproof zippers waterproof-zippers gray gray cargo pants cargo-pants
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White Armored Vehicles white-armored-vehicles
armored vehicles armored-vehicles tank tank white white military military transportation transportation heavy heavy
techspec tech
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Ecliptic: DJ Tsuyoshi mix for Issey Miyake Men by Naoki Takizawa ss1998
Sin sin
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Voice Figures by Margaret Watts Hughes voice-figures-margaret-watts-hughes Made more than 100 years ago by a Welsh singer named Margaret Watts Hughes — not by her hand but rather using her voice and an Eidophone, a “recording” device of her own invention.
margaret watts hughes margaret-watts-hughes blue blue art art abstract abstract
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Made more than 100 years ago by a Welsh singer named Margaret Watts Hughes — not by her hand but rather using her voice and an Eidophone, a “recording” device of her own invention. She would sing into the Eidophone’s funnel and so make its diaphragm vibrate. She’d then bring this vibrating diaphragm in contact with a glass plate covered in pigment to create these wondrous images, akin to visual sound recordings, or w
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Made more than 100 years ago by a Welsh singer named Margaret Watts Hughes — not by her hand but rather using her voice and an Eidophone, a “recording” device of her own invention. She would sing into the Eidophone’s funnel and so make its diaphragm vibrate. She’d then bring this vibrating diaphragm in contact with a glass plate covered in pigment to create these wondrous images, akin to visual sound recordings, or what she called Voice Figures (and the more complex Impression Figures).
Single pitch Impression Figure by Margaret Watts Hughes, pigment on glass, Margaret Watts Hughes, date unknown. Voice Figure, 3rd interval by Megan Watts Hughes
Dialogue Version, Andrew Basinski dialogue-version-andrew-basinski
art art darth maul darth-maul blue blue Andrew Basinski andrew-basinski Heart Gallery heart-gallery Pop Gun Gallery pop-gun-gallery
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From the spitting image exhibiton curated by Pop Gun and Heart Gallery
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From the spitting image exhibiton curated by Pop Gun and Heart Gallery
FINAL HOME Spring Summer 2000 Collection final-home-ss2000 FINAL HOME Spring Summer 2000 Collection
final home final-home kosuke tsumura kosuke-tsumura ss2000 ss2000 2000 2000 catalog catalog scans scans catalog scans catalog-scans
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Dada Supreme Chrome CDubbz Sneakers dada-supreme-chrome-cdubbz-sneakers Dada Supreme Chrome C-Dubbz sneakers feature an oversized, padded build with layered synthetic panels, high-shine chrome accents, bold branding.
dada dada footwear footwear chrome chrome silver silver metallic metallic CDubbz cdubbz basketball basketball basketball shoes basketball-shoes metal metal sneakers sneakers
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The Dada Supreme Chrome C-Dubbz sneakers are built around an intentionally heavy, high-volume silhouette: a tall collar, a thick tongue, and a wide forefoot that reads as protective and stable. The upper is typically constructed from layered synthetic panels with pronounced overlays, giving the shoe a structured, armored look and a more rigid feel than minimalist basketball uppers. Stitch lines and panel breaks are u
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The Dada Supreme Chrome C-Dubbz sneakers are built around an intentionally heavy, high-volume silhouette: a tall collar, a thick tongue, and a wide forefoot that reads as protective and stable. The upper is typically constructed from layered synthetic panels with pronounced overlays, giving the shoe a structured, armored look and a more rigid feel than minimalist basketball uppers. Stitch lines and panel breaks are used as graphic elements—sections are segmented, stacked, and outlined to create depth, with glossy “chrome” accents placed to catch highlights and exaggerate contour changes as the foot moves.
Branding is designed to be unmistakable at a distance. Expect oversized side marks, large-scale heel or tongue identifiers, and bold, high-contrast placements that function like visual anchors on the lateral and medial sides. The chrome treatment usually appears as reflective or high-shine synthetic components (often on overlays, badges, or trim), creating a hard, metallic read against matte base materials and emphasizing the shoe’s sculpted geometry.
Padding and fit cues tend to be substantial: a thick collar for ankle cushioning, a padded tongue that fills the lace channel, and a lace system supported by reinforced eyestays. This combination aims for a locked-in, “wrapped” fit—more secure and cushioned than sleek—especially through the midfoot where the overlays and lacing work together to reduce lateral movement.
The sole unit is equally assertive. The midsole sits tall with a broad footprint, visually communicating impact protection and stability. Tooling is typically chunky and segmented, with sculpted sidewalls and recesses that add shadow and definition. The outsole commonly uses deep grooves and a dense traction pattern intended for grip and durability, with a flatter contact area and widened edges that support hard stops, pivots, and lateral cuts. Overall, the design language prioritizes structure, cushioning volume, and visual force—built to feel protective under load and to look loud even when standing still.
NIKE AIR SUPER FLY + NIKE AIR SUPER FLY SLIP 2001-nike-air-super-fly-609046 2001 Nike Air Super fly 609046
Nike nike nike air superfly nike-air-superfly archive archive nike footwear nike-footwear footwear footwear 2001 2001
techspec tech
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