Goro's visvim FBT by Hiroshi Fujiwara
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Glossy synthetic patent leather replaces the usual sportswear upper, with perforated quarters and a tonal black sole.
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NIKE 2001 SPRING MEN'S FOOTWEAR CATALOG
NIKE 2001 SPRING WOMEN'S FOOTWEAR CATALOG
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Nike Fall 1997 Men’s Footwear Catalog
NIKE 1999 LATE SPRING WOMEN'S FOOTWEAR CATALOG
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Kiko Kostadinov Kormos Loafers
The Kormas Loafers, features a hybrid sole construction, geometric upper construction with two different textures leather. Slip-on opening with front strap.
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1987 NIKE FALL FOOTWEAR CATALOG
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Scarpa Shoes 2000 Catalog
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2001 NIKE LATE SPRING MEN'S FOOTWEAR CATALOG
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Nike 2003 Holiday Women's Footwear Catalog
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Nike 2000 Fall Mens Footwear Catalog
Nike Spring 2004 Men's Footwear Catalog
Nike Men’s Spring 2004 footwear collection presented “Instruments of Speed” training and running models such as the Nike Vapor Trainer and Air Zoom Swift Vapor, organized through the Prescribed for You system rating stability, cushioning, and width. The season’s basketball lineup was highlighted by the introduction of the LeBron James Air Zoom Generation.
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Nike 1999 Spring Men's Footwear Catalog
The Nike 1999 Spring Men’s Footwear Catalog presents a range of performance models across running, training, basketball, and outdoor categories. Designs reflect late-1990s emphasis on visible cushioning systems, sculpted midsoles, and bold color blocking, with products positioned for both competitive use and everyday wear.
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Adidas Knitted Shoe Upper Patent
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Dada Supreme Chrome CDubbz Sneakers
The Dada Supreme Chrome C-Dubbz sneakers are built around an intentionally heavy, high-volume silhouette: a tall collar, a thick tongue, and a wide forefoot that reads as protective and stable. The upper is typically constructed from layered synthetic panels with pronounced overlays, giving the shoe a structured, armored look and a more rigid feel than minimalist basketball uppers. Stitch lines and panel breaks are used as graphic elements—sections are segmented, stacked, and outlined to create depth, with glossy “chrome” accents placed to catch highlights and exaggerate contour changes as the foot moves.
Branding is designed to be unmistakable at a distance. Expect oversized side marks, large-scale heel or tongue identifiers, and bold, high-contrast placements that function like visual anchors on the lateral and medial sides. The chrome treatment usually appears as reflective or high-shine synthetic components (often on overlays, badges, or trim), creating a hard, metallic read against matte base materials and emphasizing the shoe’s sculpted geometry.
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The sole unit is equally assertive. The midsole sits tall with a broad footprint, visually communicating impact protection and stability. Tooling is typically chunky and segmented, with sculpted sidewalls and recesses that add shadow and definition. The outsole commonly uses deep grooves and a dense traction pattern intended for grip and durability, with a flatter contact area and widened edges that support hard stops, pivots, and lateral cuts. Overall, the design language prioritizes structure, cushioning volume, and visual force—built to feel protective under load and to look loud even when standing still.
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Hiroshi Fujiwara AFFA feature in i-D Magazine March 1994
ASICS GEL-BURZ 1 / KIKO KOSTADINOV
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Directed: Bafic
Producer: Alice Lewis
Edit: Bafic
Dop: Harry Wheeler
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Visvim Sanjuro Kimono Down Jacket
Naturally dyed Italian nylon with a white goose down fill, ribbed collar, 2 slanted snap button pockets, Talon zippered utility pocket on one sleeve, patch detailing on the placket and hand–stitched sashiko.
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A page from 'TEXT in visvim', the visvim Spring/Summer 2012 feature in Japan's SENSE Magazine (March 2012). Naturally dyed, hand-constructed pieces from Hiroki Nakamura.
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“Dissertation on Self-Verification: 2001-2011″
visvim 10th Anniversary Book "Dissertation on Self-Verification 2001-2011"
The book is hand bound and uses a washi paper made by a craftsman who sources the raw materials from Japanese trees.
Limited to 300 copies.
