J. MAYER H. Stadthaus, Ostfildern
Mixed-use civic building in Ostfildern by J. MAYER H. Architects, 1998-2002. Photography by David Franck. Mies van der Rohe Award special mention 2003.
Related_
Seven-panelled sun-shutter, Jean Prouvé
Jean Prouvé 1901-1984 Seven-panelled sun-shutter, from the Cité scolaire de La Dullague, Béziers, designed 1956, executed circa 1962-1965 Aluminium, metal. 185.5 x 184.4 x 8.3 cm (73 x 72 5/8 x 3 1/4 in.) Manufactured by Les Atelier Jean Prouvé, Nancy, France.
Estimate £12,000-15,000 $17,800-22,300 €16,300-20,400 provenance Cité scolaire de La Dullague, Béziers, France, circa 1962-1965 exhibited Architecture Biennale, Venice, 7 June-23 November, 2014
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Nossa Senhora da Graça Fort
The Nossa Senhora da Graça Fort is an eighteenth century fort in the village of Alcáçova, Portugal. Its prominent position atop Monte da Graça (Hill of Grace) made it an important stronghold during the Seven Years’ War, War of the Oranges and the Peninsular War. The fort is part of the Garrison Border Town of Elvas and its Fortifications, a UNESCO World Heritage Site.
38.894444°, -7.164167°
Oak Pass Guest House by Walker Workshop
Beverly Hills, United States of America.
Lake Rotsee Refuge by AFGH Architekten firm
Aesop Kawaramachi Shop by Torafu Architects
Jean Paul GAULTIER KYOTO BAL (2002)
Sumitomo Hospital Seisen-ryo Apartments
Andreas Fuhrimann Gabrielle Hächler - Zielturm Rotsee, Rotsee Luzern
China Central Television (CCTV) Headquarters
G-Star RAW HQ / OMA
The horizontal building spans 27,500 square meters and stretches 140 meters in length. It comprises a central creative hub that houses G-Star RAW's essential departments. This creative center is encircled by offices, parking spaces, and supporting amenities. The differentiation between the functional support areas and the dynamic creative core is emphasized by the use of distinct materials. The outer ring is constructed from black concrete, giving it a solid and unified appearance, while the transparent glass facade reveals the vibrant creative core within. The lower section of the ring serves as a base for parking and drop-off purposes, as well as a platform for installations and events.
Alcatel Head Office by Frederico Valsassina Architects
Residência Itahye / Apiacás Arquitetos + Brito Antunes Arquitetura
Designed to be implanted in a plot of a condominium in the city of Santana do Parnaíba, it was possible to develop the project of this house with the contribution of its future resident who, in an unusual way in these situations, he agreed with a house that would establish a more frank relationship with the street.
The House of Yagi by Suppose Design Office + Ohno Japan
Text description provided by the architects. The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here. Interior space of the house is designed to maximize the interaction to its surrounding environment.
Ardmore Residence by UNStudio in Singapore
The primary concept for the design of the 36 storey, 17.178 m² residential tower is a multi-layered architectural response to the natural landscape inherent to the ‘Garden City’ of Singapore. This landscape concept is integrated into the design by means of four large details: the articulation of the facade, which through its detailing creates various organic textures and patterns; expansive views across the city made possible by large glazed areas, bay windows and double-height balconies; the interior ‘living landscape’ concept adopted for the design of the two apartment types and the introduction of transparency and connectivity to the ground level gardens by means of a raised structure supported by an open framework.
Giovanni Pesamosca’s Alpine Cabin in Friuli, Italy
ArtScience Museum (艺术科学博物馆)
Aerial view of the Lagos fair ground designed and constructed by Energoprojekt, (Yugoslavia), completed 1976-77.
Les Marais par Alain Carle Architecte, Canada
Carlo Scarpa — Fondazione Querini Stampalia Garden, Venice
Nakagin Capsule Tower — Exterior Detail, Tokyo 2016
black house with stainless steel door
Earthquake-proof house on a hillside in western Chile by architects Pezo von Ellrichshausen
This earthquake-proof house on a hillside in western Chile by architects Pezo von Ellrichshausen has six rooms with glass walls (+ photos by Cristobal Palma).
Manchester Cathedral Wooden ceiling
House in Yatsugatake by Kidosaki Architects Studio
This private residence was designed by Kidosaki Architects Studio. It is located on the edge of the Yatsugatake Mountains in Nagano, Japan.
Floating Timber Staircase with Angular Steel Rail
Michael Wolf Architecture of Density
One of the most densely populated metropolitan areas in the world, Hong Kong has an overall density of nearly 6,700 people per square kilometer. The majority of its citizens live in flats in high-rise buildings, whose units can house as many as 10,000 people.
In Architecture of Density, Michael investigates these enormous city blocks, finding a mesmerizing abstraction in the buildings’ facades. The structures in the series are photographed without reference to the context of sky or ground, and many buildings are seen in a state of repair or construction: their walls covered with a grid of scaffolding or the soft coloured curtains that protect the streets below from falling debris. From a distance, such elements become a part of an intricate design. Upon closer inspection of each photograph, the anonymous public face of the city is full of rewarding detail – public space is private space, large swatches of colour give way to smaller pieces of people’s lives. The trappings of the people are still visible here: their days inform the detail of these buildings. Bits of laundry and hanging plants pepper the tiny rectangles of windows- the only irregularities in this orderly design. The images of Architecture of Density give one an inkling of what our cities could look like if grown continues unchecked.
Amalia Hernández House / Agustín Hernández Navarro
Agustín Hernández Navarro is a Mexican sculptor and architect born in Mexico City. He is the son of politician Lamberto Hernández and Amalia Navarro and studied at the National Autonomous University of Mexico. Leading exponent of “emotional” architecture in his country, Hernandez has fused elements from Mexico’s Pre-columbian past in his contemporary architecture. He usually starts by designing the vertical elements of a building, such as the stairs, as he feels these are of much importance. As organic nature, his architecture unites structure, form, and function.
Matsumoto Castle, Nagano Prefecture
the grove pavillion
the grove pavilion is located at the center of the arced walkway where it briefly touches upon land, between the constantly texture of the water and matured trees. barbeques and public space provide recreational services to visitors within a subdued black structure that frames the colorful surrounding landscape. continuing eastward down the walkway leads to the wilkinson’s point pavilion born from an existing concrete pad built in the mid 20th century as the foundation for an unrealized bridge. the pavilion, a series of intersecting planes exhibiting various degrees of transparency and filtering of views and colors, cantilevers out over the water framing the site and a large open-air pad capable of hosting large scale events. massive concrete walls support a floating canopy containing an expansive red glass wall and a yellow skylight towards the cantilevered portion. the architecture adopts a simple form, poetic and restrained in the landscape, an experience heightened by its relative isolation from any other man-made developments.
Former CGER-ASLK Building, Brussels — Marcel Lambrichs
GENERAL RESEARCH OFF-SITE
Designed by architect Shin Ohori of General Design for Setsumasa and Mami Kobayashi, founders of General Research. Located in the Chichibu mountain range northwest of Tokyo, the site serves as both a personal weekend shelter and a field-testing ground for product development.
The structure is built on an elevated platform using locally harvested larch wood and features removable walls made from fiber-reinforced plastic. It includes two yellow dome tents used as permanent sleeping areas—one placed on a secondary deck and the other on the roof of the main volume. The central enclosed space houses a kitchen and dining area.
The shelter is equipped with electricity, hot water, internet access, and basic amenities, including a clawfoot bathtub. The location is remote but accessible, allowing the Kobayashis to engage in maintenance tasks and outdoor work while still performing professional duties remotely. The architecture is intentionally simple and functional, emphasizing modularity, environmental responsiveness, and a hybrid of modernist design with primitive outdoor living elements.
The project operates as a live-in testing platform for lifestyle and gear integration in a real-world setting, merging domestic space with performance wear prototyping. It represents an approach to architecture and living that prioritizes adaptability, utility, and a direct relationship with the natural environment.
Vennesla Library and Culture House by Helen & Hard
Cidade das Artes — Christian de Portzamparc, Rio de Janeiro
Tel Aviv Residence by Chyutin Architects
Ogimachi Global Dispensing Pharmacy — ninkipen! + TKY Japan
Avi Forman — YSOA Advanced Mill Workshop CNC Surface
UNESCO Headquarters Entrance Canopy — Breuer, Nervi & Zehrfuss, Paris 1958
Jin Mao Tower, Shanghai, Above the Clouds
Sweden Pavilion — Shanghai World Expo 2010
Hagia Sophia, Istanbul
M House by ONG&ONG Architects, Bukit Timah, Singapore
Ruth Bernhard — Eighth Street Movie Theater, New York (Frederick Kiesler, Architect), 1946
Les Cols Pavellons Glass Pavilions by RCR Arquitectes
House Ber by Nico van der Meulen Architects
NOA Building, Tokyo — Seiichi Shirai, 1974
Rock House by UN Arquitectura / Juan Pablo Nazar
Hotel Aire de Bardenas — Cube Room with Outdoor Bath by López Rivera Arquitectos
Kekkilä Green Shed by Linda Bergroth and Ville Hara
OMA CCTV Headquarters — Glass Floor Porthole View, Beijing
Casa Murray by Diseño Espacial — Terrace and Courtyard View
CCTV Headquarters Beijing — OMA / Rem Koolhaas
Filmtheater Weltspiegel Cottbus — Studio Alexander Fehre Interior Renovation
S.A. Residence by SHATOTTO
OMA / Rem Koolhaas — CCTV Headquarters, Beijing
Fasano Las Piedras by Isay Weinfeld
Casa dos Cubos — EMBAIXADA arquitectura, Tomar
Peninsula House by Watson Architecture + Design
Beach house on Victoria’s coastline organized as two distinct volumes: a private pavilion for sleeping and bathing, and a communal pavilion for cooking, dining, and living. The separation creates a clear distinction between individual and shared activities while maintaining a single architectural identity through a continuous roof structure. Large column-free interiors open directly onto north and west-facing decks, reducing the boundary between interior and exterior space. The structure was prefabricated off-site to minimize construction time, while recycled materials—including reclaimed stadium timber and salvaged jarrah columns—were used throughout. The project reconsiders the Australian beach house typology through a simple, efficient arrangement of space, structure, and material.
Ettore Sottsass — Metaphors (Metafore) 1972–1979
Sächsisches Landesgymnasium Sankt Afra, Meißen — Courtyard Staircase
Swatch Art Peace Hotel — Shanghai
House S by Keiji Ashizawa Design
Two Living Pavilions Under One Roof Open Onto an Outdoor Covered Deck designed by Watson Architecture + Design
Concrete Brutalist Sculpture — Stepped Block Form
Aesop Nolita by Tacklebox Architecture
Foster + Partners: Spaceport America Terminal
Weekend Retreat Tokyo by Shin Ohori / General Design Co.
Adidas Laces HQ Office Interior by KINZO and Kadawittfeldarchitektur
Flowing Steel — Jay Pritzker Pavilion, Chicago
Pinakothek der Moderne — Interior Rotunda, Munich
William O'Brien Jr — Twins: Houses in Five Parts
Yurikamome Automated Guideway — Motion Blur Long Exposure, Tokyo
Stairs at the Leipzig opera house
AppuruPai Long-Exposure Photography on a Tokyo Train
Kurashiki Bikan Historical Quarter, Okayama
World Trade Center Twin Towers — Worm's-Eye View, Minoru Yamasaki
Preston Bus Station — Brutalist Undercroft
Concrete Bunker Interior
Concrete Bunker Interior
Japanese Interior Architectural Scale Model
BURO II — The Barn House, Flanders
Pedregulho Housing Complex — Affonso Reidy and Carmen Portinho
Barcelona Chair — Mies van der Rohe Orthographic Technical Drawing
Barcelona Pavilion — Ludwig Mies van der Rohe
Muji Wood House — Ki no Ie Interior
BanQ Restaurant — Office dA / NADAAA Plywood Ceiling, Boston
Superstudio — The Continuous Monument Photomontage
Paul Virilio — Bunker Archeology
Linienstrasse 40 — Bundschuh Architekten, Berlin-Mitte
Neukölln Pumping Station
Wenk und Wiese converted a 1920s water-pumping station in Neukölln, Berlin, into a live-work studio for Michael Elmgreen and Ingar Dragset.
The project keeps the industrial hall, tall windows and dark tiled base while adding white rooms, catwalks and upper work platforms through the former machinery space.
Source: ArchDaily: Water Pumping Plant Renovation / Wenk und Wiese.
