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EMERY MOUNTAINS
April 2024, FRIEZE No. 9 Cork Street Gallery, London
EXHIBITION: The Mountains Between Us, FRIEZE No 9 Cork St
Weaving together photography, video and sculptural objects, lena_c_emery highlights the accelerated loss of mountain glaciers and the desperate conservation efforts currently employed to impede their decline. Under the continued influence of greenhouse-gas forced global warming, ice that took centuries to develop is vanishing in just a number of years. A fate experts predict for at least two-thirds of all glaciers by the end of this century. EMERY: In ‘The Mountains Between Us’, I capture the current environmental efforts undertaken to reduce the rate at which glaciers melt. Glaciers have held space for centuries, silently bearing witness to history. They’ve seen the world change in ways we can barely comprehend. Because my grandfather spent his life in these mountains, watching this particular glacier retreat and form lakes where there was previously only ice and at a pace that’s steadily increasing, feels deeply personal. The idea of covering these mammoths in fabric to stall the inevitable, feels both tragic and emblematic of our relationship with nature: The magnitude of loss countered by gestures that, though earnest, feel powerless. Visually these wrapped peaks evoke images of muddied tents, makeshift shelters that we’ve come to erect for those displaced by upheaval. This fragility, their fragility, our fragility, is a direct reflection of the imbalance we have sown, where those least responsible for ecological destruction are forced to bear its heaviest burdens. The title became a way to frame those divides. Mountains have always symbolised barriers, but perhaps they could also be reimagined as thread, shared histories and a collective belonging. The elemental particles composing our very being once danced amidst these ancient landscapes and if they disappear, part of us does too.
Seven-panelled sun-shutter, Jean Prouvé
Jean Prouvé 1901-1984 Seven-panelled sun-shutter, from the Cité scolaire de La Dullague, Béziers, designed 1956, executed circa 1962-1965 Aluminium, metal. 185.5 x 184.4 x 8.3 cm (73 x 72 5/8 x 3 1/4 in.) Manufactured by Les Atelier Jean Prouvé, Nancy, France.
Estimate £12,000-15,000 $17,800-22,300 €16,300-20,400 provenance Cité scolaire de La Dullague, Béziers, France, circa 1962-1965 exhibited Architecture Biennale, Venice, 7 June-23 November, 2014
Silent Poets for Issey Miyake
Silent Poets for Issey Miyake Spring/Summer 2001 is a hardcover lookbook photographed by Françoise Huguier. It presents imagery from Issey Miyake’s Spring/Summer 2001 collection and includes the collaboration CD Red Eyes Tribe at the back of the book. Japanese electronic duo Silent Poets produced the music for the runway show.
Dada Supreme Chrome CDubbz Sneakers
The Dada Supreme Chrome C-Dubbz sneakers are built around an intentionally heavy, high-volume silhouette: a tall collar, a thick tongue, and a wide forefoot that reads as protective and stable. The upper is typically constructed from layered synthetic panels with pronounced overlays, giving the shoe a structured, armored look and a more rigid feel than minimalist basketball uppers. Stitch lines and panel breaks are used as graphic elements—sections are segmented, stacked, and outlined to create depth, with glossy “chrome” accents placed to catch highlights and exaggerate contour changes as the foot moves.
Branding is designed to be unmistakable at a distance. Expect oversized side marks, large-scale heel or tongue identifiers, and bold, high-contrast placements that function like visual anchors on the lateral and medial sides. The chrome treatment usually appears as reflective or high-shine synthetic components (often on overlays, badges, or trim), creating a hard, metallic read against matte base materials and emphasizing the shoe’s sculpted geometry.
Padding and fit cues tend to be substantial: a thick collar for ankle cushioning, a padded tongue that fills the lace channel, and a lace system supported by reinforced eyestays. This combination aims for a locked-in, “wrapped” fit—more secure and cushioned than sleek—especially through the midfoot where the overlays and lacing work together to reduce lateral movement.
The sole unit is equally assertive. The midsole sits tall with a broad footprint, visually communicating impact protection and stability. Tooling is typically chunky and segmented, with sculpted sidewalls and recesses that add shadow and definition. The outsole commonly uses deep grooves and a dense traction pattern intended for grip and durability, with a flatter contact area and widened edges that support hard stops, pivots, and lateral cuts. Overall, the design language prioritizes structure, cushioning volume, and visual force—built to feel protective under load and to look loud even when standing still.
and wander x Muraco Designs Heron Tent Shelter Sets
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
HERON 2POLE TENT SHELTER SET
SASQUATCHfabrix. — SASFAB 2-in-1 Coat/Gilet
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Sonoya Mizuno as Dr. Azumi Fujita — Netflix MANIAC (2018)
Mercedes-Benz W126 S-Class — Red Leather Interior
Boston Dynamics SpotMini Quadruped Robot
Thomas Demand
NEIGHBORHOOD Utility Vest
Issey Miyake Spring/Summer 1999 — A-POC Runway
Ryoji Ikeda — test pattern
Nike Komyuter Black/Summit White (AA2211-001)
Rick Owens Draped Wrap Skirt, circa 1998
Mies van der Rohe Barcelona Daybed for Knoll
Oscar Niemeyer's MAC Niterói — Louis Vuitton Cruise 2017 Venue
Anschutz Diopter Rear Sight — Precision Target Rifle
adidas Y-3 Yohji Court — Footwear White (EF2554)
Guardami — Rita Lino
Tokyo Rooftops Ginza
Bruce Weber for Calvin Klein Jeans — 1991 Campaign
Karborn — Evidence of Time Travel
Haleakalā Crater — Volcanic Landscape, Maui
Comme des Garçons × Undercover Felicitations 25 Leather Jacket
Land Rover Defender 110 Station Wagon in Black
Carlo Scarpa — Fondazione Querini Stampalia Garden, Venice
ESA HERTZ Anechoic Chamber — Antenna Test Facility at ESTEC
Redhill MRT Station — Singapore
Nakagin Capsule Tower — Exterior Detail, Tokyo 2016
Melitta Baumeister Spring/Summer 2015 Ready-to-Wear
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
CP Company Multi-Pocket Goggle Hooded Jacket in Grey
Stone Island × Diemme Military Boot (2012)
Stone Island Raso Floccato Riot Mask Jacket AW2004
Sort of Coal — Edible Kuro Charcoal Powder
Nike Air Solarsoft Zigzag Sandal in Black
Raf Simons SS2008 De Stijl Hiking Boot — White Multicolor
Robert Häusser J.R. 5-9-70
Gelatin silver print, printed 1999. 43.5 x 58.8 cm. Signed and dated in ballpoint pen lower right. Signed, dated, titled in ballpoint pen as well as photographer's thumb print on the verso. - Framed under glass.
OMsignal Biometric Smartwear Shirt
Able Archer Duffel Bag — Black MOLLE
Nike Air Max Plus TN Triple Black
Obscur Black Leather Fingerless Glove Gauntlet
Nike x Undercover Gyakusou Holiday 2014
The Holiday 2014 collection is restored as the original seven-image studio set, separating it from the Holiday 2013 forest campaign.
Maison Martin Margiela x Kanye West Yeezus Tour Custom Outfits
Nike Lunar Pegasus 89
visvim FBT Lhamo-Folk
Toni Garrn by Philip Gay, Just Do It, Interview Germany 2012
Floating Timber Staircase with Angular Steel Rail
Undercover Jun Takahashi L9F01 Low-Top Sneaker in Bordeaux
Japanese Warrior Figure — Edo/Meiji Period Ink Painting
Floral Botanical Print Textile — Kimono or Wrap Garment
WTAPS 11AW Ian L/S Tee — Cotton Raglan
White Mountaineering Camouflage Jacket
Sacai Paris — Before the Show, Street Snap by Masataka Matsumura
Supreme 18th Anniversary Alpha XBP Backpack
Irving Penn × Issey Miyake — Two Miyake Warriors
Stutterheim Stockholm Raincoat in Red
Patagonia Synchilla Snap-T Pullover — Aztec Print
Stone Island Fall/Winter 2013 Garment Dyed Down Gilet
Former CGER-ASLK Building, Brussels — Marcel Lambrichs
"Wendover II (For John)" by Barry Underwood
Nickel Tailings 34, Edward Burtynsky, 1996
From “Manufactured Landscapes: The Photographs of Edward Burtynsky”
Nike ACG Zoom Meriwether — Ivory/Orange
Dean Bouchard — Inside Out
Vatnajökull — Glacier near Skaftafell, Iceland
Filson — Scout Backpack (Tundra Shrub Camo)
Vennesla Library and Culture House by Helen & Hard
Swatch Art Peace Hotel Shanghai Interior by Jouin Manku
Neighborhood N-2B / N-JKT Olive Drab
Peninsula House by Watson Architecture + Design
A Story of Yonosuke (2013) — Shuichi Okita
M240 Machine-Gun Range Training
Grey Peacock-Pheasant Plumage — Iridescent Ocelli Detail
Akari Hayami — Japanese Fashion Magazine Editorial
Bagh Nakh — Tiger Claw Weapon, India
Xavier Veilhan Faceted Figure Sculpture
Cidade das Artes — Christian de Portzamparc, Rio de Janeiro
Ralph McQuarrie — Battlestar Galactica (1978) Concept Art
Bally Spring/Summer 2014 Menswear — Hooded Utility Poncho
Nike Cheyenne Backpack in Tan
SASQUATCHfabrix — Edward Coat (Patchwork, AW12)
TRON Designs Corian — DuPont x Disney Milan Design Week 2011
FLCL (Fooly Cooly) — Naota Nandaba
Ogimachi Global Dispensing Pharmacy — ninkipen! + TKY Japan
The North Face Purple Label 65/35 Sierra Vest
Casa Paracas — RRMR Arquitectos, Paracas Bay (2013)
The North Face Purple Label Floral Print Hooded Zip Jacket
Bas Princen — Colonnade Infrastructure Photograph
Christopher Williams, Cutaway model Zeiss
Christopher Williams, Cutaway model Zeiss Distagon T* 2.8/15 ZM / Focal length: 15mm. Aperture range: 2.8 – 22. No. of elements/groups: 11/9 / Focusing range: 0.3 m–infinity. Image ratio at close range: 1:18 / Coverage at close range: 43 cm × 65 cm. Angular field, diag./horiz./vert.: / 110/100/77˚ / Filter: M 72 × 0.75. Weight: 500 g. Length: 86 mm / Product no. black: 30 82016. Serial no.: 15555891. / (Subject to change.) / Manufactured by Carl Zeiss AG, Camera Lens Division, Oberkochen, Germany / Studio Rhein Verlag, Düsseldorf / January 18, 2013 (2013).
Bagh Nakh
Undercover Diaplex Autumn/Winter 2007 Collection
Design Band YOAP White House, Seoul
Cave Diving — Diver in Cenote Light Rays
