Silent Poets for Issey Miyake Spring/Summer 2001 is a hardcover lookbook photographed by Françoise Huguier. It presents imagery from Issey Miyake’s Spring/Summer 2001 collection and includes the collaboration CD Red Eyes Tribe at the back of the book. Japanese electronic duo Silent Poets produced the music for the runway show.
White Mountaineering's Spring/Summer 2011 collection, Primitive Line, carries ancient patterns and textiles with a primitive mood into contemporary menswear. The 33-look runway combines patterned tailoring, cropped trousers, layered utility pieces, knitwear, and technical outerwear.
Yohji Yamamoto’s Fall 1995 ready-to-wear show was presented in Paris on March 16, 1995. The images trace layered tailoring, openwork textures, chunky knits, wide-brimmed hats, and sculptural backs.
Original CD scans of Ryuichi Sakamoto’s Music for Yohji Yamamoto Collection 1995 (güt bounce GTBC-0001): disc, sleeve, credits, and inside artwork.
UNDERCOVERISM 2012–13 Fall/Winter portrait feature The Men Who Wear Undercoverism, photographed by Taro Mizutani with text by Issey Enomoto.
A limited-edition Nintendo DS Lite created by honeyee.com and fragment design. The matte-black exterior carries the honeyee.com wordmark and fragment's lightning-bolt insignia, while the opened console reveals a white interior.
The collaboration was announced in February 2008 and released in Japan in March 2008 under model number USG-S-FRGA(JPN).
Arte Antwerp x adidas F50 “Feather Patent Leather/Black” (HQ3324) in Core Black, scheduled for release September 10 through adidas.
Glossy synthetic patent leather replaces the usual sportswear upper, with perforated quarters and a tonal black sole.
The 14th Stone Island Shadow Project collection is a mirage on the horizon; a heat haze of perspective shifting inversion and refraction. Vibrant and gritty, granular and loose, it's the freshness and intensity of youth tempered by process and exposure to the elements. West coast Zephyr inspired colors are turned up to maximum saturation, then slightly muted by treatments both softening and metallic. Materials have an easy, lived-in feel, but retain the underlying edge of technical performance and real use. Loose street and slope born shapes flow with relaxed tailoring and diffused prep looks. Graphics are minimal definitions; outlines and impressions of the underlying framework.
The Stone Island Shadow vector continues with the project's fourth seasonal capsule collection. Fueled by new reactions within the project's original conceptual core, fresh manifestations of fabric, style, detail, and interface emerge as the lightest, yet most comprehensive, offering thus far.
This unique trajectory begins, of course, at a unique point of origin — the inimitable constellation of research and development that is STONE ISLAND. Hidden detail and potential action lies at the heart of each and every Stone Island Shadow style.
Enfolding this in a simpler, softer way, a new focus can be brought to bear on both resolution of shape and fidelity of color. The goal is vibrancy and directness; stripping away the superfluous without sacrificing capability, and the lightness that can only be found by moving through one's environment with zero resistance.
Modular Performance Grid, PARSEQ is the organizational framework upon which the idea is built: PROOF, AUGMENT, RESIST, SKIN and EQUIP. All Shadow fabrics work together as part of the grid — breathable, moisture managing, skin-friendly and maintainable — chosen for their balance of performance technology and the aesthetic treatments for which Stone Island has been known since its inception.
![stone island navigation series [reinvent the wheel] by liam macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2025/08/stone-island-liam-macrae-navigation-series-002-1.jpg)
Stone Island’s Navigation Series: Reinvent the Wheel, photographed by Liam MacRae, is part of the brand’s ongoing study of orientation and movement. The work frames navigation as both physical and symbolic—referencing terrain, direction, and systems of guidance. Within the series, “Reinvent the Wheel” emphasizes reinterpreting established structures of travel and perception, continuing Stone Island’s research into exploration and the mechanics of wayfinding.
Full catalog download link below or through the server.
April 2024, FRIEZE No. 9 Cork Street Gallery, London
EXHIBITION: The Mountains Between Us, FRIEZE No 9 Cork St
Weaving together photography, video and sculptural objects, lena_c_emery highlights the accelerated loss of mountain glaciers and the desperate conservation efforts currently employed to impede their decline. Under the continued influence of greenhouse-gas forced global warming, ice that took centuries to develop is vanishing in just a number of years. A fate experts predict for at least two-thirds of all glaciers by the end of this century. EMERY: In ‘The Mountains Between Us’, I capture the current environmental efforts undertaken to reduce the rate at which glaciers melt. Glaciers have held space for centuries, silently bearing witness to history. They’ve seen the world change in ways we can barely comprehend. Because my grandfather spent his life in these mountains, watching this particular glacier retreat and form lakes where there was previously only ice and at a pace that’s steadily increasing, feels deeply personal. The idea of covering these mammoths in fabric to stall the inevitable, feels both tragic and emblematic of our relationship with nature: The magnitude of loss countered by gestures that, though earnest, feel powerless. Visually these wrapped peaks evoke images of muddied tents, makeshift shelters that we’ve come to erect for those displaced by upheaval. This fragility, their fragility, our fragility, is a direct reflection of the imbalance we have sown, where those least responsible for ecological destruction are forced to bear its heaviest burdens. The title became a way to frame those divides. Mountains have always symbolised barriers, but perhaps they could also be reimagined as thread, shared histories and a collective belonging. The elemental particles composing our very being once danced amidst these ancient landscapes and if they disappear, part of us does too.
The Oakley Medusa Helmet (2002) is an early-2000s performance helmet concept associated with Oakley’s then-expanding push into technical equipment beyond eyewear. The design is defined by aggressive surfacing, pronounced vent geometry, and a highly sculptural shell intended to signal speed and impact protection.
Functionally, the Medusa emphasizes airflow and coverage through a dense network of vents and channeling, paired with a shell profile that reads more armored than minimal. Fit and retention appear to follow common helmet conventions of the era, with the distinctive elements concentrated in the exterior shell tooling and vent architecture rather than hidden internal mechanisms. As a result, the helmet is often discussed as much for its styling and cultural placement as for technical specifics.
Full catalog download link below and through the server page.
Full catalog scan download link available below and through the server page.
Figures from US patent application US20250160486A1, 'Knitted Shoe Upper', filed by Adidas AG (inventors Stefan Tamm, Carl Arnese and James Carnes; published 22 May 2025). The upper is knitted in one piece with two zones, a more elastic yarn and a stiffer yarn, placing stretch and support without seams or separate reinforcement panels. The drawings show the yarn zones and construction across forefoot, midfoot and heel.
Arc’teryx A2B Commuter Jacket W Chalk 15536, released 2015. Technical soft shell with motoi lines.
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
The members of Junior M.A.F.I.A. met as childhood friends of The Notorious B.I.G. All the members were under the age of twenty when the group was formed. The group was composed of three separate groups and two individual artists. The 6s, or 666, (Lil' Caesar, Bugsy, Capone, Chico, and Nino Brown) who claim to know right from wrong and practice it; the Sixes knew Biggie before he was rapping (the other members other than Lil' Kim were added on to the group but still were very close to Biggie). The Snakes (cousins Larceny and Trife) who represent the enraged attitude expressed in a large number of America’s youth, MC Klepto, who offered insight on a life of “boostin' and hustlin'”, and Lil' Kim, (a.k.a Big Momma or The Lieutenant), the only female in the group, who showed the ghetto life from a woman’s point of view. The Notorious B.I.G. acted as the "godfather" to the group.
This harmonious collaboration between Distinct Life and USUAL pays homage to the late great producer via a custom creation rendition of the MPC 2500 — an instrument made popular by J. Dilla.
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
These pants a cut slightly shorter for better running comfort. Great for slightly harsher weather conditions. Insideout construction for seamless fit inside. From the Nike Running Gyakusou collection. Made in Japan.
The women’s S/LAB EXO tee maps its support structure across the shoulders, spine and lower torso without turning the shirt into a hard compression shell. Open knit, 37.5 fabric and a skin fit keep it light enough for long trail efforts.
The women’s S/LAB EXO T-Shirt turns the EXO grid into mapped bands at the neckline, spine and hem. A form-fitting nylon stretch knit holds the structure close, while 37.5 thermoregulation and open mesh manage heat through long trail efforts.
A 1/4-scale image model of the Gynoid from Mamoru Oshii's Ghost in the Shell: Innocence. Eisaku Kito modified the figure and built its opening panels and mechanical components; Yuji Oniki made the base body; Takayuki Takeya completed the hair, makeup and weathering.
Undercover Spring/Summer 2015 carried Takahashi's twisted fairytale into a more digital setting, with LED screens integrated into garments and bags.
Photography by Jeff Henrikson; styling by Emma Wyman.
Jun Takahashi framed Undercover Autumn/Winter 2014 around fear, warmth and royalty. Braided crowns and rhinestones were offset by vamp-red contact lenses, red mascara, tartan and toile de Jouy interrupted by UFOs, turning the runway into a corrupted fairytale.
Photography by Jeff Henrikson; styling by Emma Wyman.
Gelatin silver print, printed 1999. 43.5 x 58.8 cm. Signed and dated in ballpoint pen lower right. Signed, dated, titled in ballpoint pen as well as photographer's thumb print on the verso. - Framed under glass.
The Holiday 2014 collection is restored as the original seven-image studio set, separating it from the Holiday 2013 forest campaign.
From “Manufactured Landscapes: The Photographs of Edward Burtynsky”
The Nike ACG Zoom Meriwether is a lightweight, weather-resistant boot built on a responsive Zoom Air platform, it offers impact protection without the bulk of traditional hiking boots. The water-resistant suede upper is paired with a medial zip for easy on-off, while the integrated lacing system keeps the fit secure without adding unnecessary weight or complexity.
The women’s S/LAB EXO Tank treats support as a mapped structure. A polyurethane EXO Sensifit grid braces the upper chest, shoulders and spine, while Smart Skin places Actilite Pro jersey through the core and open stretch mesh at the heat zones. The skin fit keeps the grid engaged; flatlock seams and reflective marks finish the racing layer without adding bulk.
From their street military shoes series
