Neighborhood MIL. PARA / C-Shirt LS in Beige
Neighborhood MIL. PARA / C-Shirt LS in beige cotton with tonal parachute-inspired paneling.
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Salomon SOLUS Men’s Trail Running Autumn/Winter 2026
Salomon SOLUS Autumn/Winter 2026 was developed with guest designer Jeremy Karl around REFORM: rebuilding trail-running apparel through structural geometry, functional interaction, and a low-saturation palette drawn from terrain and changing outdoor light. The men’s range combines purple and navy hooded shells, split shorts, fitted layers, hydration equipment, and a high-visibility yellow lower-body system.
Its five RE:SYSTEM functions are engineered around adjustments made while moving. RE-ADJUST uses a self-locking woven hook-and-loop cord for one-handed waistband tuning; RE-EXTENSION lets a jacket’s back expand over a hydration vest and return to a streamlined form without it; RE-CUFF changes glove cuffs between full coverage and half-finger use; RE-HOOD follows the head closely; and RE-CARGO provides rapid integrated storage.
The studio images isolate these interactions: a soft flask carried at the shell chest, glove and watch access at the cuff, close hood geometry, underarm ventilation, a hydration vest, and a waist system carrying folded trail poles.
UNDERCOVERISM — The Men Who Wear Undercoverism
UNDERCOVERISM 2012–13 Fall/Winter portrait feature The Men Who Wear Undercoverism, photographed by Taro Mizutani with text by Issey Enomoto.
Stone Island Shadow Project SS2010 Lookbook
The Stone Island Shadow vector continues with the project's fourth seasonal capsule collection. Fueled by new reactions within the project's original conceptual core, fresh manifestations of fabric, style, detail, and interface emerge as the lightest, yet most comprehensive, offering thus far.
This unique trajectory begins, of course, at a unique point of origin — the inimitable constellation of research and development that is STONE ISLAND. Hidden detail and potential action lies at the heart of each and every Stone Island Shadow style.
Enfolding this in a simpler, softer way, a new focus can be brought to bear on both resolution of shape and fidelity of color. The goal is vibrancy and directness; stripping away the superfluous without sacrificing capability, and the lightness that can only be found by moving through one's environment with zero resistance.
Modular Performance Grid, PARSEQ is the organizational framework upon which the idea is built: PROOF, AUGMENT, RESIST, SKIN and EQUIP. All Shadow fabrics work together as part of the grid — breathable, moisture managing, skin-friendly and maintainable — chosen for their balance of performance technology and the aesthetic treatments for which Stone Island has been known since its inception.
North Palisade. Sierra Nevada, California.
![stone island navigation series [reinvent the wheel] by liam macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2025/08/stone-island-liam-macrae-navigation-series-002-1.jpg)
stone island navigation series [reinvent the wheel] by liam macrae
Stone Island’s Navigation Series: Reinvent the Wheel, photographed by Liam MacRae, is part of the brand’s ongoing study of orientation and movement. The work frames navigation as both physical and symbolic—referencing terrain, direction, and systems of guidance. Within the series, “Reinvent the Wheel” emphasizes reinterpreting established structures of travel and perception, continuing Stone Island’s research into exploration and the mechanics of wayfinding.
Silent Poets for Issey Miyake
Silent Poets for Issey Miyake Spring/Summer 2001 is a hardcover lookbook photographed by Françoise Huguier. It presents imagery from Issey Miyake’s Spring/Summer 2001 collection and includes the collaboration CD Red Eyes Tribe at the back of the book. Japanese electronic duo Silent Poets produced the music for the runway show.
and wander x Muraco Designs Heron Tent Shelter Sets
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
HERON 2POLE TENT SHELTER SET
F/CE ONEDAY TECHNICAL TRAVEL BACKPACK
Fleece-Lined Hiking Pants — Technical Outdoor Apparel
NEIGHBORHOOD Utility Vest
Apple IIgs Keyboard USB Conversion with Arduino Pro Micro
Margaret Howell Autumn/Winter 2016 Campaign
Gustav Frich photographed by Alasdair McLellan and styled by Beat Bolliger for Margaret Howell Autumn/Winter 2016.
MIG 1.42 - PROTOTYPE
Prototype Russian fighter jet spotted on Bing Maps. Built to rival the American F-22 Raptor, the jet lost out to the Su-47.
Les Marais par Alain Carle Architecte, Canada
Raf Simons — Men's Raglan-Sleeve Archive Coat
Salomon Speedcross 3 Camo Titanium
The Salomon Speedcross 3 Camo in Titanium/Dark Titanium/Swamp applies a muted tonal camouflage treatment to the footwear's aggressive trail-running silhouette. A grippy lugged outsole and supportive upper keep it performance-driven, while the low-contrast palette makes it feel more tactical for desert environments.
Obscur Black Leather Fingerless Glove Gauntlet
UNDERCOVER Fall/Winter 2013 Leather-Sleeve Army Jacket
NEIGHBORHOOD 2013 Autumn/Winter Lookbook by SENSE Magazine
WTAPS 11AW Ian L/S Tee — Cotton Raglan
Sacai Paris — Before the Show, Street Snap by Masataka Matsumura
Visvim Sanjuro Kimono
NIKE ZOOM MERIWETHER
The Nike ACG Zoom Meriwether is a lightweight, weather-resistant boot built on a responsive Zoom Air platform, it offers impact protection without the bulk of traditional hiking boots. The water-resistant suede upper is paired with a medial zip for easy on-off, while the integrated lacing system keeps the fit secure without adding unnecessary weight or complexity.
Vennesla Library and Culture House by Helen & Hard
PRO-Keds KAZzROCK Combat
From their street military shoes series
Swatch Art Peace Hotel Shanghai Interior by Jouin Manku
GOLDWIN SS2017
“Everyone pays attention to what is right before his eyes. What sets a manufacturer apart is giving painstaking detail to what is not readily visible.”
— Tosaku Nishida, The Founder of Goldwin
Common Projects Spring/Summer 2012 Preview
Neighborhood N-2B / N-JKT Olive Drab
Rhyolithberge, Region Landmannalaugar, Fjallabak Naturreservat, Isländisches Hochland, Island
Tan Pleated Shorts
Tan pleated shorts on the street in Harajuku, Tokyo, shot for Fashionsnap in September 2012. Full, high-waisted and worn long.
hobo x Diemme Spring/Summer 2014 Utility Boots
M240 Machine-Gun Range Training
White Mountaineering Striped Pocket T-Shirt
SOPHNET 2013 FW 7HOLE ZIP UP WORK BOOTS
Bally Spring/Summer 2014 Menswear — Hooded Utility Poncho
Nike Cheyenne Backpack in Tan
Israeli Soldier With Rifle Praying
Cargo Chair by Benjamin Hubert
The Cargo Chair, manufactured by portuguese brand De La Espada, designed by Benjamin Hubert
Worlds End by Vivienne Westwood and Malcolm McLaren “BUFFALO COAT” fw1982
The North Face Purple Label SS2013 Vintage Nylon Taffeta Print
The North Face Purple Label's Spring/Summer 2013 Vintage Nylon Taffeta Print Collection applies a floral pattern to a cotton/nylon hooded parka, matching cargo shorts and full-length trousers.
Undercover Diaplex Autumn/Winter 2007 Collection
UNESCO Headquarters Entrance Canopy — Breuer, Nervi & Zehrfuss, Paris 1958
Raf Simons Menswear Lookbook — Photography by David Armstrong
Nonnative Wrecking Walls FW2013 Bomber Jacket
The North Face Purple Label Down Cardigan
Devoa Panelled Jacket
Pinqponq Blok Backpack Cliff Beige
Luker by Neighborhood White Field Jacket
Zin Valley, Negev Desert, Israel — 30° 50' 51.66" N, 34° 46' 56.07" E
Kapital Fall/Winter 2013 "Indigenous" Lookbook
LONG CLOTHING Clip Pants in Black and White Tartan
Prada Fall/Winter 1999 Menswear
Prada's Fall/Winter 1999 menswear collection moves from muted tailoring and leather into technical outerwear, close-fitting performance layers, and a final return to dark suiting. This complete sequence preserves all 80 runway looks in the official order.
Stussy x Bedwin & The Heartbreakers Fall/Winter 2012 Varsity Jacket
Number (N)ine Spring/Summer 2008 “Birds” Collection
NEIGHBORHOOD × Carhartt WIP — Fall/Winter 2014
Nonnative Handyman Pullover — Nylon Ripstop, Black
Tattooed Man Lighting a Cigarette
Tao Okamoto by Josh Olins for Vogue China August 2013
Hugo Bavot Jacket
Stone Island Ventile Ghost Piece Hooded Jacket
Hiroshi Fujiwara Portrait at a Fashion Presentation
Neighborhood Motorcycle Gloves
Adidas SLVR Fall/Winter 2012 Campaign
Oshkosh M-ATV Vehicles in Transit
Jun Takahashi — Undercover Designer Portrait, Dazed June 2013
Interview with Jun Takahashi on Undercover AW13
Q: After two years away from the Paris catwalks, why was now the right time to show a runway collection?
A: After the earthquake disaster, we Japanese were spiritually in the worst state. It’s been two years since then and everyone is hoping to improve the present situation. I am one of them. I chose to have a runway show in Paris in order to restore myself. I thought it would work because going back to the runway was one of the things I had been hoping to do.
Q: Talking of the scar that Japan’s earthquake left on you, did it creatively affect your AW13 collection?
A: I was craving for creation, and that resulted in those one-off dresses. Two years ago, mentally and financially I wasn’t able to create such things. Those one-off pieces are my original works and made intuitively by myself. I am the only one who could make them. They are sacred works to me. I guess I like things where you can feel human warmth.
Q: Why did you call the show ‘Anatomicouture’? Was your intention to expose the inner bones of the garments?
A: It is a mentality of exposing the inner self, corresponding to my desire to reveal my creation and what’s going on in my head.
Q: Despite the skeleton and organ motifs, the collection is beautiful and seductive – does this come back to your interest in the contrast between ugly and beautiful?
A: Ugliness and beauty co-exist in human mentality. I always want to express those emotions.
Q: The AW13 show had the feel of punk performance art – why did you stage it like theatre?
A: Because the theme of this collection is related to human emotions, I thought my theme could be conveyed much better with such staging effects that would move people’s hearts. That’s why I used songs by Cat Power and James Blake. All the songs are great and meaningful and helped me convey what I wanted to express through the lyrics of songs too.
Q: When did your love of fashion start, and how did that lead to Undercover?
A: When I was little I loved drawing and had a twisted personality. I was so into punk during my high school years. My interest in fashion arose when I was around 15 years old and I was hoping to become a designer. At 18, I entered Bunka Fashion College. I was questioning about learning ‘design’ from teachers who were much older than me. So I told myself that I would learn only techniques in the school, nothing else.
Q: Undercover was considered part of a new wave of Japanese designers. How did your approach differ from the likes of Rei Kawakubo and Yohji Yamamoto?
A: I am not sure if Undercover is part of a new wave and I don’t really care. But Rei influenced me a lot on things like breaking stereotypes.
Q: You and your friend Hiroshi Fujiwara collected vintage Seditionaries pieces and published a book about them, and you even appeared in a show of Vivienne Westwood’s designs in Tokyo in 1990. Can you describe the impact punk made on you and explain why it still resonates today?
A: To me, punk means a spirit that questions and abolishes conventional ideas. That is my fundamental principle. You can apply the principle to fashion design. It depends on each season, but I instil punk interpretation into my designs in many ways – for example, by fusing two contradicting elements or applying techniques that are generally considered taboo.
Q: You recently designed lines for Uniqlo and Nike – how did you enjoy those two experiences? Did they feed back into your work with Undercover?
A: The Uniqlo and Nike collaborations are totally different types of designs from that of Undercover. Therefore the collaborations didn’t really affect my work with Undercover. But for my career as a designer, both collaborations became good experiences. Working with Uniqlo gave me the opportunity to learn about the creation of mass products and newly standard items that are totally different from designing avant-garde pieces. As for the collaboration with Nike, I am very satisfied both as a designer and as a runner with the fact that I have been able to create products which integrate necessary functions for running with fashion-design aesthetics, which had often perhaps been missing in the existing sportswear.
Q: You’ve talked in the past of the difficulties with keeping up with the six-month cycle of fashion shows, and skipped showing in Paris for a couple of seasons – how are you currently finding working within the fashion calendar?
A: Right now, I’ve come to the conclusion that the six-month cycle is appropriate. Themes of each Undercover collection vary by season. If we could spend more than six months on a collection, and if we continue to work with the same theme for a year, it would be difficult to keep up the tension towards the theme and I am afraid that the freshness would be lost.
Q: AW13 got a great response. Will we be seeing you back on the runway next season?
A: I could strongly feel that a lot of people were waiting for Undercover and I was very thankful about it. I will be back on the runway next season.
Q: Next year will mark the 20th since you began showing as Undercover. How do you feel you’ve evolved in that time?
A: I went through many phases and experienced many things. There was a time we faced various troubles, or we jumped into things just by force of circumstances. But nothing was wasted. I am responsible for all success and failure of Undercover. I will go forward without being ashamed of the paths I’ve chosen.
giuliano Fujiwara FW13 Editorial
Arc'teryx Veilance Fall/Winter 2013 Vest
Alexander Wang Fall 2013 Menswear — Hooded Leather Jacket with Face Mask
Craig Green Fall/Winter 2013
Engineered Garments Hooded Interliner Knit
Dark Suit — N.Hoolywood or Gareth Pugh Fashion Editorial
Undercoverism Fall/Winter 2012 Honeyee Editorial
Haven Hall Long-Sleeve Cardigan Shirt in Navy
Rick Owens Naska Biker Jacket — FW12 Mountain
White Mountaineering x Saucony Jazz Original Pack
visvim × The Black Sense Market AW12
