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EMERY MOUNTAINS
April 2024, FRIEZE No. 9 Cork Street Gallery, London
EXHIBITION: The Mountains Between Us, FRIEZE No 9 Cork St
Weaving together photography, video and sculptural objects, lena_c_emery highlights the accelerated loss of mountain glaciers and the desperate conservation efforts currently employed to impede their decline. Under the continued influence of greenhouse-gas forced global warming, ice that took centuries to develop is vanishing in just a number of years. A fate experts predict for at least two-thirds of all glaciers by the end of this century. EMERY: In ‘The Mountains Between Us’, I capture the current environmental efforts undertaken to reduce the rate at which glaciers melt. Glaciers have held space for centuries, silently bearing witness to history. They’ve seen the world change in ways we can barely comprehend. Because my grandfather spent his life in these mountains, watching this particular glacier retreat and form lakes where there was previously only ice and at a pace that’s steadily increasing, feels deeply personal. The idea of covering these mammoths in fabric to stall the inevitable, feels both tragic and emblematic of our relationship with nature: The magnitude of loss countered by gestures that, though earnest, feel powerless. Visually these wrapped peaks evoke images of muddied tents, makeshift shelters that we’ve come to erect for those displaced by upheaval. This fragility, their fragility, our fragility, is a direct reflection of the imbalance we have sown, where those least responsible for ecological destruction are forced to bear its heaviest burdens. The title became a way to frame those divides. Mountains have always symbolised barriers, but perhaps they could also be reimagined as thread, shared histories and a collective belonging. The elemental particles composing our very being once danced amidst these ancient landscapes and if they disappear, part of us does too.
Lightning Archives Military Jackets (revised edition)
Lightning Archives Military Jackets (revised edition) is a reference volume that assembles hundreds of vintage military jackets—from field coats to flight and bomber styles—into a 242-page photographic index, printed in Japan. Each garment is reduced to front, back, and detail shots, annotated with brief data about model, era, and origin, turning decades of conflict and logistics into orderly rows of fabric, hardware, and serial numbers. The revised edition simply expands and updates this taxonomy, confirming that uniforms designed for war now circulate as images and commodities, stripped of purpose, filed away as another closed chapter in a series of collectible books.
Download link available below or through the server page.
and wander x Muraco Designs Heron Tent Shelter Sets
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
HERON 2POLE TENT SHELTER SET
Junior M.A.F.I.A.
The members of Junior M.A.F.I.A. met as childhood friends of The Notorious B.I.G. All the members were under the age of twenty when the group was formed. The group was composed of three separate groups and two individual artists. The 6s, or 666, (Lil' Caesar, Bugsy, Capone, Chico, and Nino Brown) who claim to know right from wrong and practice it; the Sixes knew Biggie before he was rapping (the other members other than Lil' Kim were added on to the group but still were very close to Biggie). The Snakes (cousins Larceny and Trife) who represent the enraged attitude expressed in a large number of America’s youth, MC Klepto, who offered insight on a life of “boostin' and hustlin'”, and Lil' Kim, (a.k.a Big Momma or The Lieutenant), the only female in the group, who showed the ghetto life from a woman’s point of view. The Notorious B.I.G. acted as the "godfather" to the group.
Combat Swimmers German Special Forces
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Epperson Mountaineering Large Climb Tote
Wild Things Wind Shirt WT 1.0
A minimally constructed, articulated stow-away hood fits the head snugly, allowing a helmet to be worn over it. The fit of the shirt is generous enough to pull over a mid layer, but fitted enough to keep the wind out. Features include elasticized sleeve cuffs, an adjustable hem, and an angled chest pocket.
Fit: Under Body Armor
Weight: 10 oz
Berry Amendment Compliant: 100% Made in U.S.A.Features:
- 1/2 zip pullover
- One angled chest pocket
- Concealed zippers
- Adjustable shock cord hem
- Stow-away hood
- Elastic wrists
- Dropped tail
Materials:
- 70 denier textured Nylon with silicone encapsulation
cp company urban protection jacket
Thomas Demand
Oscar Niemeyer's MAC Niterói — Louis Vuitton Cruise 2017 Venue
Avirex x Fragment Design MA-1 Jacket
Bruce Weber for Calvin Klein Jeans — 1991 Campaign
Haleakalā Crater — Volcanic Landscape, Maui
Billy Kidd — Portrait of Simone Thompson (Joy Sunday)
ESA HERTZ Anechoic Chamber — Antenna Test Facility at ESTEC
Redhill MRT Station — Singapore
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
Robert Häusser J.R. 5-9-70
Gelatin silver print, printed 1999. 43.5 x 58.8 cm. Signed and dated in ballpoint pen lower right. Signed, dated, titled in ballpoint pen as well as photographer's thumb print on the verso. - Framed under glass.
Remembering Tim Hetherington
via moodmail
Floral Botanical Print Textile — Kimono or Wrap Garment
Irving Penn × Issey Miyake — Two Miyake Warriors
"Wendover II (For John)" by Barry Underwood
Nickel Tailings 34, Edward Burtynsky, 1996
From “Manufactured Landscapes: The Photographs of Edward Burtynsky”
Aleppo, Syria. 2013. Photograph by Moises Saman
Dean Bouchard — Inside Out
Neighborhood N-2B / N-JKT Olive Drab
Peninsula House by Watson Architecture + Design
Bagh Nakh — Tiger Claw Weapon, India
Dassault nEUROn — European Stealth UCAV Demonstrator
Have a Nice Day — M67 Grenade
Israeli Soldier With Rifle Praying
Bas Princen — Colonnade Infrastructure Photograph
Cave Diving — Diver in Cenote Light Rays
Raf Simons Menswear Lookbook — Photography by David Armstrong
Nonnative Wrecking Walls FW2013 Bomber Jacket
Black and White Mountain Snowscape — Fine Art Alpine Photography
Reynisdrangar Basalt Sea Stack, Reynisfjara, Iceland
Joséphine Le Tutour in Alexander Wang — Numéro Tokyo July/August 2013
Hagia Sophia, Istanbul
Kamchatka Volcanic Landscape
Julian Wasser — Arrest on Hollywood Boulevard (1970)
Rebuild by Needles Modified M-65 Field Jacket with MA-1 Bomber Arms
Ruth Bernhard — Eighth Street Movie Theater, New York (Frederick Kiesler, Architect), 1946
Mount Etna — Volcanic Landscape Sicily
Star Magnolia — Magnolia stellata Macro
BMW 3 Series E90 on a Vine-Covered Hong Kong Rooftop Car Park
Eero Saarinen — CBS Building, New York, 1965
Neon Fluorescent Tube Lights — Minimal Light Installation
Hanna Putz — Friends of Friends Portrait by Thomas Lohr
Dark Suit — N.Hoolywood or Gareth Pugh Fashion Editorial
Monocle x Porter Boston Bag — Olive
Plosky Tolbachik Volcano Eruption, Kamchatka
David Burdeny — Mercator's Projection, North/South Series
Theo Stylianides (StTheo) — Vector
Military Surplus Field Gear — ALICE and MOLLE Equipment
Engineered Garments Aircrew Flight Satin Nylon Pant in Olive
NEIGHBORHOOD x Zippo 1941 Naval Lighter Replica
FUCT — Neck and Hand Tattoo Street Photo, 2012
White Mountaineering x Porter Fall/Winter 2012 Wheeled Trolley Bag
Uniform Experiment x Alpha Industries L-2B Flight Jacket SS11
René Burri — New York City, 1988
USS Virginia (SSN-774) — Fast Attack Submarine in Snow
Ettore Sottsass — Metaphors (Metafore) 1972–1979
Stone Island Shadow Project Technical Field Jacket in Olive
White Mountaineering Military Cadet Cap
Michael Wells — Scorched Earth: House on Lava, Hawaii
Todd McLellan — Things Come Apart
Grumman F-14 Tomcat — US Navy Carrier Fighter
Airplane Contrails — Fine Art Sky Photography
USS Ohio (SSBN-726) — Nuclear Ballistic Missile Submarine in Drydock
Todd Hido — Between the Two (Nazraeli Press, 2007)
A Bathing Ape GORE-TEX Woven Rip Stop Army Coat — Holiday 2011
Warehouse & Co Lot 2193 USMC Parachutist Utility Jacket — Frogskin Camo Fabric Detail
Rag & Bone Heavyweight Padded Jacket AW2011
Quilted Down Shoulder Bag with Matching Pouch in Woodland Camouflage
Engineered Garments FW11 Field Parka in Olive
and wander Rain Proof Coat — Khaki
Wool Overshirt — Heavy-Knit Shirt Jacket
Fragment Design Tech Wrap Camera Wrap by Hiroshi Fujiwara
F-15E cockpit
A view of the pilot and co-pilot in the cockpit of a 4th Tactical Fighter Wing F-15E Eagle aircraft as the plane refuels over Saudi Arabia during Operation Desert Shield.
Edward Burtynsky — Highway #1, I-105 & I-110, Los Angeles (2003)
