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moNa2 keyboard
The Inspired by kumakey’s “roBa,” the moNa2 is a small wireless split keyboard developed by shakupan and pooh.polo, designed to keep a desk feeling open and unclaimed. Two compact halves sit apart with a quiet gap between them, leaving room for a notebook or tools without forcing a single, monolithic footprint.
The layout is restrained: low, close spacing with a built-in thumb-controlled ball that keeps basic navigation under the hand instead of pushing you toward a mouse. The whole object reads as light hardware rather than a centerpiece, favors packing and redeploying—such as magnets on the underside so the halves can join together for transport.
It runs wire-free and is meant to be adjusted over time rather than treated as a fixed appliance. Typical usage notes describe it lasting roughly a couple of weeks of frequent daily use before needing attention again, with the exact cadence depending on how it’s set up and used.
Anonymous Textile Design Series, Mulhouse, Alsace, 1840
Anonymous textile prototypes, Mulhouse, Alsace, c.1840. Rectilinear design sheets generated within the industrial print studios of the Haut-Rhin. Each document encodes surface strategies for mass deployment—pearl rows, abstract chromatic fields, simulated resist-dye grounds. Executed as precision studies for repeat application, they reflect Mulhouse’s role as a nineteenth-century vector hub of textile innovation and print chemistry.
Oakley Medusa Helmet, 2001
The Oakley Medusa Helmet (2002) is an early-2000s performance helmet concept associated with Oakley’s then-expanding push into technical equipment beyond eyewear. The design is defined by aggressive surfacing, pronounced vent geometry, and a highly sculptural shell intended to signal speed and impact protection.
Functionally, the Medusa emphasizes airflow and coverage through a dense network of vents and channeling, paired with a shell profile that reads more armored than minimal. Fit and retention appear to follow common helmet conventions of the era, with the distinctive elements concentrated in the exterior shell tooling and vent architecture rather than hidden internal mechanisms. As a result, the helmet is often discussed as much for its styling and cultural placement as for technical specifics.
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Seven-panelled sun-shutter, Jean Prouvé
Jean Prouvé 1901-1984 Seven-panelled sun-shutter, from the Cité scolaire de La Dullague, Béziers, designed 1956, executed circa 1962-1965 Aluminium, metal. 185.5 x 184.4 x 8.3 cm (73 x 72 5/8 x 3 1/4 in.) Manufactured by Les Atelier Jean Prouvé, Nancy, France.
Estimate £12,000-15,000 $17,800-22,300 €16,300-20,400 provenance Cité scolaire de La Dullague, Béziers, France, circa 1962-1965 exhibited Architecture Biennale, Venice, 7 June-23 November, 2014
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Images behind the scenes of the nike free outsole creation.
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The horizontal building spans 27,500 square meters and stretches 140 meters in length. It comprises a central creative hub that houses G-Star RAW's essential departments. This creative center is encircled by offices, parking spaces, and supporting amenities. The differentiation between the functional support areas and the dynamic creative core is emphasized by the use of distinct materials. The outer ring is constructed from black concrete, giving it a solid and unified appearance, while the transparent glass facade reveals the vibrant creative core within. The lower section of the ring serves as a base for parking and drop-off purposes, as well as a platform for installations and events.
Cacoon Hanging Chair
The Cacoon Hanging Chair is constructed with robust engineering to support a weight of up to 200kg or 440lbs. This product was designed in the UK by the collaborative effort of Nick and Sarah, a husband and wife team.
Ardmore Residence by UNStudio in Singapore
The primary concept for the design of the 36 storey, 17.178 m² residential tower is a multi-layered architectural response to the natural landscape inherent to the ‘Garden City’ of Singapore. This landscape concept is integrated into the design by means of four large details: the articulation of the facade, which through its detailing creates various organic textures and patterns; expansive views across the city made possible by large glazed areas, bay windows and double-height balconies; the interior ‘living landscape’ concept adopted for the design of the two apartment types and the introduction of transparency and connectivity to the ground level gardens by means of a raised structure supported by an open framework.
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Agustín Hernández Navarro is a Mexican sculptor and architect born in Mexico City. He is the son of politician Lamberto Hernández and Amalia Navarro and studied at the National Autonomous University of Mexico. Leading exponent of “emotional” architecture in his country, Hernandez has fused elements from Mexico’s Pre-columbian past in his contemporary architecture. He usually starts by designing the vertical elements of a building, such as the stairs, as he feels these are of much importance. As organic nature, his architecture unites structure, form, and function.
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