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Stone Island Shadow Project SS2010 Lookbook
The Stone Island Shadow vector continues with the project's fourth seasonal capsule collection. Fueled by new reactions within the project's original conceptual core, fresh manifestations of fabric, style, detail, and interface emerge as the lightest, yet most comprehensive, offering thus far.
This unique trajectory begins, of course, at a unique point of origin — the inimitable constellation of research and development that is STONE ISLAND. Hidden detail and potential action lies at the heart of each and every Stone Island Shadow style.
Enfolding this in a simpler, softer way, a new focus can be brought to bear on both resolution of shape and fidelity of color. The goal is vibrancy and directness; stripping away the superfluous without sacrificing capability, and the lightness that can only be found by moving through one's environment with zero resistance.
Modular Performance Grid, PARSEQ is the organizational framework upon which the idea is built: PROOF, AUGMENT, RESIST, SKIN and EQUIP. All Shadow fabrics work together as part of the grid — breathable, moisture managing, skin-friendly and maintainable — chosen for their balance of performance technology and the aesthetic treatments for which Stone Island has been known since its inception.
North Palisade. Sierra Nevada, California.
![stone island navigation series [under the radar] by liam macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2025/09/stone-island-navigation-series-under-the-radar-liam-macrae-techspec-02.jpg)
stone island navigation series [under the radar] by liam macrae
Stone Island’'s Navigation Series: Under the Radar by Liam MacRae examines sonar, signal, and instinct in aquatic navigation. Radar sweeps above are mirrored by sharks circling below, drawn to a submerged emblem that acts as both marker and transmission. The study observes how symbol and frequency converge—technology tracing, nature responding.
moNa2 keyboard
The Inspired by kumakey’s “roBa,” the moNa2 is a small wireless split keyboard developed by shakupan and pooh.polo, designed to keep a desk feeling open and unclaimed. Two compact halves sit apart with a quiet gap between them, leaving room for a notebook or tools without forcing a single, monolithic footprint.
The layout is restrained: low, close spacing with a built-in thumb-controlled ball that keeps basic navigation under the hand instead of pushing you toward a mouse. The whole object reads as light hardware rather than a centerpiece, favors packing and redeploying—such as magnets on the underside so the halves can join together for transport.
It runs wire-free and is meant to be adjusted over time rather than treated as a fixed appliance. Typical usage notes describe it lasting roughly a couple of weeks of frequent daily use before needing attention again, with the exact cadence depending on how it’s set up and used.
EMERY MOUNTAINS
April 2024, FRIEZE No. 9 Cork Street Gallery, London
EXHIBITION: The Mountains Between Us, FRIEZE No 9 Cork St
Weaving together photography, video and sculptural objects, lena_c_emery highlights the accelerated loss of mountain glaciers and the desperate conservation efforts currently employed to impede their decline. Under the continued influence of greenhouse-gas forced global warming, ice that took centuries to develop is vanishing in just a number of years. A fate experts predict for at least two-thirds of all glaciers by the end of this century. EMERY: In ‘The Mountains Between Us’, I capture the current environmental efforts undertaken to reduce the rate at which glaciers melt. Glaciers have held space for centuries, silently bearing witness to history. They’ve seen the world change in ways we can barely comprehend. Because my grandfather spent his life in these mountains, watching this particular glacier retreat and form lakes where there was previously only ice and at a pace that’s steadily increasing, feels deeply personal. The idea of covering these mammoths in fabric to stall the inevitable, feels both tragic and emblematic of our relationship with nature: The magnitude of loss countered by gestures that, though earnest, feel powerless. Visually these wrapped peaks evoke images of muddied tents, makeshift shelters that we’ve come to erect for those displaced by upheaval. This fragility, their fragility, our fragility, is a direct reflection of the imbalance we have sown, where those least responsible for ecological destruction are forced to bear its heaviest burdens. The title became a way to frame those divides. Mountains have always symbolised barriers, but perhaps they could also be reimagined as thread, shared histories and a collective belonging. The elemental particles composing our very being once danced amidst these ancient landscapes and if they disappear, part of us does too.
Combat Swimmers German Special Forces
Miller's planet from interstellar
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Epperson Mountaineering Large Climb Tote
The Honey Hunters Of Nepal
Nepal is home to the Apis Laboriosa, the biggest honey bee on the planet, and honey hunting plays a significant role in the local way of life. The bees build their hives on the cliffs of the country's foothills, which adds complexity to the honey hunting process. Local honey hunters use rope ladders and baskets to access the combs after driving the bees away with smoke from a fire underneath the hives. They carefully collect the honey treasure from the combs while dealing with territorial bees. The harvesting occurs once a year and begins with a harvest ritual that varies across towns, often starting with a prayer and the offering of flowers, rice, and fruits.
This unique aspect of Nepali culture is captivating, and tourists have the opportunity to witness the bravery of the honey hunters, explore the fascination of the Nepali landscape, and admire the intricate homes of the honey bees.
Lake Rotsee Refuge by AFGH Architekten firm
Marble Caves at General Carrera Lake in Patagonia
The Marble Caves, known as Marble Chapel and Marble Cathedral, are located at the center of the lake and were formed by waves over the past 6,000 years.
Andreas Fuhrimann Gabrielle Hächler - Zielturm Rotsee, Rotsee Luzern
Lake Louise, Banff national park, 2014
Cacoon Hanging Chair
The Cacoon Hanging Chair is constructed with robust engineering to support a weight of up to 200kg or 440lbs. This product was designed in the UK by the collaborative effort of Nick and Sarah, a husband and wife team.
The House of Yagi by Suppose Design Office + Ohno Japan
Text description provided by the architects. The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here. Interior space of the house is designed to maximize the interaction to its surrounding environment.
Giovanni Pesamosca’s Alpine Cabin in Friuli, Italy
Intha Fisherman on Inle Lake, Burma, 2011
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
Martian Sunset
On May 19, 2005, NASA's Mars Exploration Rover Spirit captured this stunning view as the Sun sank below the rim of Gusev crater on Mars. This Panoramic Camera mosaic was taken around 6:07 in the evening of the rover's 489th Martian day, or sol.
Sunset and twilight images are occasionally acquired by the science team to determine how high into the atmosphere the Martian dust extends, and to look for dust or ice clouds. Other images have shown that the twilight glow remains visible, but increasingly fainter, for up to two hours before sunrise or after sunset. The long Martian twilight (compared to Earth's) is caused by sunlight scattered around to the night side of the planet by abundant high altitude dust. Similar long twilights or extra-colorful sunrises and sunsets sometimes occur on Earth when tiny dust grains that are erupted from powerful volcanoes scatter light high in the atmosphere.
A Mitten Butte and Merrick Butte seen from the View Hotel, Monument Valley Tribal Park
Rainbow mountains at Zhangye Danxia national geopark Gansu China
"Wendover II (For John)" by Barry Underwood
Desert Mountains Aerial View 012
Rhyolithberge, Region Landmannalaugar, Fjallabak Naturreservat, Isländisches Hochland, Island
Nonnative Wrecking Walls FW2013 Bomber Jacket
Kapital Fall/Winter 2013 "Indigenous" Lookbook
WTAPS FW13 Lifist Lookbook
WTAPS FW13 Lifist lookbook image with Tetsu Nishiyama riding a vintage motorcycle, part of the collection’s lifestyle-focused presentation.
Nike x Undercover Gyakusou Holiday 2013 Lookbook
Alex Honnold climbing on Separate Reality, a difficult over hanging roof crack in Yosemite National Park, California
Kekkilä Green Shed by Linda Bergroth and Ville Hara
Monocle x Porter Boston Bag — Olive
Nike x Undercover Gyakusou Fall/Winter 2012 Autumn Monks Collection
Nike Free Woven Khaki Stadium Green Hyper Blue Pink
Nike Free Woven in Khaki, Stadium Green, Hyper Blue, and Pink, with a multicolor woven upper and white Free sole. Style code 555307-236.
Nike × Undercover Gyakusou FW2011 Hooded Running Jacket
Haven Camouflage Herringbone Tight Straight Pant — Dark Multi
Sophnet AW2010 Camouflage Collection — MultiCam Trousers
Stone Island Shadow Project Technical Field Jacket in Olive
Boeing C-17 Globemaster III
Warehouse & Co Lot 2193 USMC Parachutist Utility Jacket — Frogskin Camo Fabric Detail
Jack Spade Swedish M90 Camo Coal Tote
Rag & Bone Heavyweight Padded Jacket AW2011
New Balance HS77 Holiday 2011 — Forest Green
Engineered Garments FW11 Field Parka in Olive
and wander Rain Proof Coat — Khaki
Visvim LAMINA 22L Backpack Spring/Summer 2012
Filson x Ace Hotel Medium Tin Cloth Duffle Bag
Wings + Horns Brand Landscape
Porter Gripper Pouch
Nike Sportswear NSW M51 Parka
Undercover AW11 'Mirror' Leather-Sleeve MA-1 Bomber Jacket
Nike Gyakusou x AFFA 3M Grid Dri-Fit Running Jacket
Visvim Townsend Gore-Tex Fishtail Parka
Killspencer Korean War Era Weekender 2.0
Sitka Gear Trade Show Booth — Optifade Hunting Jackets Display
Futura Laboratories Spring/Summer 2011 Lookbook
Undercover x Vandalize AW2006 Cargo Bomber Jacket
Maharishi Fall/Winter 2010 Lookbook
Triple Aught Design Stealth Hoodie — Foliage
uniform experiment Damaged Mods Coat
C.P. Company Urban Protection Metropolis Jacket with Tactical Vest — Olive, AW2000
Metal Gear Solid 3 Snake Eater Animals Camo Uniform
Steadies the wearer's hand, eliminating hand trembling while using guns. Received by non-lethal victory against Ocelot. Found in the cave immediately after the battle, in one of the areas right near you. The best camouflage to be used on the mountains of Krasnogorje.
"An animal skin camo uniform. Wearing it removes any hand-shaking while aiming a gun."
Source: Konami Archives
WTAPS Spring/Summer 2011 'Who Dares Wins' Editorial — Cool Trans
Killspencer Duffle — Olive Drab Duck Canvas
Porter Liquid Waist Bag — Khaki
Makoto Azuma — Second Nature at 21_21 Design Sight, Tokyo (2008)
