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Stone Island Shadow Project SS2010 Lookbook
The Stone Island Shadow vector continues with the project's fourth seasonal capsule collection. Fueled by new reactions within the project's original conceptual core, fresh manifestations of fabric, style, detail, and interface emerge as the lightest, yet most comprehensive, offering thus far.
This unique trajectory begins, of course, at a unique point of origin — the inimitable constellation of research and development that is STONE ISLAND. Hidden detail and potential action lies at the heart of each and every Stone Island Shadow style.
Enfolding this in a simpler, softer way, a new focus can be brought to bear on both resolution of shape and fidelity of color. The goal is vibrancy and directness; stripping away the superfluous without sacrificing capability, and the lightness that can only be found by moving through one's environment with zero resistance.
Modular Performance Grid, PARSEQ is the organizational framework upon which the idea is built: PROOF, AUGMENT, RESIST, SKIN and EQUIP. All Shadow fabrics work together as part of the grid — breathable, moisture managing, skin-friendly and maintainable — chosen for their balance of performance technology and the aesthetic treatments for which Stone Island has been known since its inception.
NANA 1st Illustrations _ Ai Yazawa
NANA 1st Illustrations gathers Nana Osaki, Nana Komatsu, Ren Honjo, Nobuo Terashima, Shinichi Okazaki, and Yasushi Takagi not as model sheets but as quiet romances in fabric and metal. Osaki’s black leather and lace feel like vows; her Vivienne Westwood Armour Ring glints like a promise she keeps. Komatsu floats in lighter textiles and soft palettes, a tender blur that finds light even when it trembles. Shinichi moves in bondage pants—wide legs, trailing straps, D-rings and chains—tempered by fitted tanks, layered belts, and combat boots; the strapwork turns his stride into music and cinches him closer when the stage goes still.
Ren and Yasu hold steadier lines—smoke, denim, talismanic hardware—anchors for the others’ weather. Here costume is character: friendship sewn into hems, devotion clasped in studs, defiance stitched in black. A Complete NANA 1st Illustrations book scan is available on the server. A Complete NANA 1st Illustrations book scan is available on the server.
![stone island navigation series [under the radar] by liam macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2025/09/stone-island-navigation-series-under-the-radar-liam-macrae-techspec-02.jpg)
stone island navigation series [under the radar] by liam macrae
Stone Island’'s Navigation Series: Under the Radar by Liam MacRae examines sonar, signal, and instinct in aquatic navigation. Radar sweeps above are mirrored by sharks circling below, drawn to a submerged emblem that acts as both marker and transmission. The study observes how symbol and frequency converge—technology tracing, nature responding.
moNa2 keyboard
The Inspired by kumakey’s “roBa,” the moNa2 is a small wireless split keyboard developed by shakupan and pooh.polo, designed to keep a desk feeling open and unclaimed. Two compact halves sit apart with a quiet gap between them, leaving room for a notebook or tools without forcing a single, monolithic footprint.
The layout is restrained: low, close spacing with a built-in thumb-controlled ball that keeps basic navigation under the hand instead of pushing you toward a mouse. The whole object reads as light hardware rather than a centerpiece, favors packing and redeploying—such as magnets on the underside so the halves can join together for transport.
It runs wire-free and is meant to be adjusted over time rather than treated as a fixed appliance. Typical usage notes describe it lasting roughly a couple of weeks of frequent daily use before needing attention again, with the exact cadence depending on how it’s set up and used.
Muscle Suits, The Cell designed by Eiko Ishioka
They were called the “muscle suits” in The Cell. Eiko Ishioka designed them to resemble exposed musculature, turning the body into a surreal anatomical armor that fit the film’s psychological and dreamlike visuals.
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Epperson Mountaineering Large Climb Tote
The Honey Hunters Of Nepal
Nepal is home to the Apis Laboriosa, the biggest honey bee on the planet, and honey hunting plays a significant role in the local way of life. The bees build their hives on the cliffs of the country's foothills, which adds complexity to the honey hunting process. Local honey hunters use rope ladders and baskets to access the combs after driving the bees away with smoke from a fire underneath the hives. They carefully collect the honey treasure from the combs while dealing with territorial bees. The harvesting occurs once a year and begins with a harvest ritual that varies across towns, often starting with a prayer and the offering of flowers, rice, and fruits.
This unique aspect of Nepali culture is captivating, and tourists have the opportunity to witness the bravery of the honey hunters, explore the fascination of the Nepali landscape, and admire the intricate homes of the honey bees.
Lake Rotsee Refuge by AFGH Architekten firm
Sonoya Mizuno as Dr. Azumi Fujita — Netflix MANIAC (2018)
Marble Caves at General Carrera Lake in Patagonia
The Marble Caves, known as Marble Chapel and Marble Cathedral, are located at the center of the lake and were formed by waves over the past 6,000 years.
ghost in the shell thermoptic camouflage
Andreas Fuhrimann Gabrielle Hächler - Zielturm Rotsee, Rotsee Luzern
The House of Yagi by Suppose Design Office + Ohno Japan
Text description provided by the architects. The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here. Interior space of the house is designed to maximize the interaction to its surrounding environment.
Oscar Niemeyer's MAC Niterói — Louis Vuitton Cruise 2017 Venue
Intha Fisherman on Inle Lake, Burma, 2011
ESA HERTZ Anechoic Chamber — Antenna Test Facility at ESTEC
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
Aitor Throup 2013 “New Object Research” Collection
Picturing Earth: Astronaut Photography In Focus
NASA astronaut Chris Cassidy uses a 400mm lens on a digital still camera to photograph a target of opportunity on Earth, 250 miles below, on June 3, 2013. The many-windowed Cupola is the best place on the International Space Station for taking pictures. Cassidy has been aboard the orbital outpost since late March and is due to return to Earth in September.
Have a Nice Day — M67 Grenade
Nonnative Wrecking Walls FW2013 Bomber Jacket
Kapital Fall/Winter 2013 "Indigenous" Lookbook
Hoh Rainforest, Olympic National Park
WTAPS FW13 Lifist Lookbook
WTAPS FW13 Lifist lookbook image with Tetsu Nishiyama riding a vintage motorcycle, part of the collection’s lifestyle-focused presentation.
NASA Mars Exploration Rover Opportunity (MER-B)
Nike x Undercover Gyakusou Holiday 2013 Lookbook
Rocky Mountain National Park
Alex Honnold climbing on Separate Reality, a difficult over hanging roof crack in Yosemite National Park, California
Kekkilä Green Shed by Linda Bergroth and Ville Hara
Monocle x Porter Boston Bag — Olive
Nike Free Woven 4.0 Obsidian/Squadron Blue-Smoke-Poison Green
MA-1 Bomber Jacket — Army Green
S.A. Residence by SHATOTTO
Nike x Undercover Gyakusou Fall/Winter 2012 Autumn Monks Collection
Nike Free Woven Khaki Stadium Green Hyper Blue Pink
Nike Free Woven in Khaki, Stadium Green, Hyper Blue, and Pink, with a multicolor woven upper and white Free sole. Style code 555307-236.
Military Surplus Field Gear — ALICE and MOLLE Equipment
Nike × Undercover Gyakusou FW2011 Hooded Running Jacket
Metal Gear Solid Costume Concept Design
Haven Camouflage Herringbone Tight Straight Pant — Dark Multi
Sophnet AW2010 Camouflage Collection — MultiCam Trousers
Stone Island Shadow Project Technical Field Jacket in Olive
Warehouse & Co Lot 2193 USMC Parachutist Utility Jacket — Frogskin Camo Fabric Detail
Jack Spade Swedish M90 Camo Coal Tote
Rag & Bone Heavyweight Padded Jacket AW2011
Quilted Down Shoulder Bag with Matching Pouch in Woodland Camouflage
Blind Chic Big Bad Wolf 2 Waxed Canvas Rolltop Backpack
Moses Bridge by RO&AD Architecten
Norse Projects Vorm Pocket Sweatshirt
US Special Forces Camouflage Face Paint
Porter PX Kura Chika Helmet Bag
New Balance HS77 Holiday 2011 — Forest Green
Engineered Garments FW11 Field Parka in Olive
and wander Rain Proof Coat — Khaki
Visvim LAMINA 22L Backpack Spring/Summer 2012
Filson x Ace Hotel Medium Tin Cloth Duffle Bag
Stone Island Field Jacket
Wings + Horns Brand Landscape
Stussy x Tower Records x Coleman Micro Quad LED Lantern
Porter Gripper Pouch
Acronym ACR Fall Winter 2011/12 Collection
Ovčar-Kablar Gorge
The Ovcar-Kablar Gorge in western Serbia is cut by the West Morava as it meanders between the Ovcar and Kablar mountains. A cluster of Orthodox monasteries on its slopes has given it the name 'Serbian Mount Athos'. It is a protected landscape.
Maiden Noir Field Jacket in Olive
MIM-104 Patriot — Surface-to-Air Missile System
HMMWV Humvee Military Vehicle
Nike Sportswear NSW M51 Parka
Type 97 Chi-Ha Medium Tank
Undercover AW11 'Mirror' Leather-Sleeve MA-1 Bomber Jacket
Moon Surface — Tycho Crater
CFB Goose Bay — Canadian Forces Base Aerial View
Nike Air Royaltna Mid QS
