They were called the “muscle suits” in The Cell. Eiko Ishioka designed them to resemble exposed musculature, turning the body into a surreal anatomical armor that fit the film’s psychological and dreamlike visuals.
NANA 1st Illustrations gathers Nana Osaki, Nana Komatsu, Ren Honjo, Nobuo Terashima, Shinichi Okazaki, and Yasushi Takagi not as model sheets but as quiet romances in fabric and metal. Osaki’s black leather and lace feel like vows; her Vivienne Westwood Armour Ring glints like a promise she keeps. Komatsu floats in lighter textiles and soft palettes, a tender blur that finds light even when it trembles. Shinichi moves in bondage pants—wide legs, trailing straps, D-rings and chains—tempered by fitted tanks, layered belts, and combat boots; the strapwork turns his stride into music and cinches him closer when the stage goes still.
Ren and Yasu hold steadier lines—smoke, denim, talismanic hardware—anchors for the others’ weather. Here costume is character: friendship sewn into hems, devotion clasped in studs, defiance stitched in black. A Complete NANA 1st Illustrations book scan is available on the server. A Complete NANA 1st Illustrations book scan is available on the server.
GR10K "Incognito" Fall 2024 Ad Campaign
The 2004 Nike Women’s Spring Footwear Collection documents a transitional period in Nike design, where performance running, training, and lifestyle silhouettes were increasingly developed with women-specific tooling, proportions, and material strategies. The catalog presents a cross-section of early-2000s innovation, including lightweight mesh constructions, injected and Phylon-based midsoles, visible Air cushioning, and emerging considerations around fit, stability, and flexibility tailored to female athletes. Alongside technical models, the collection also reflects Nike’s growing emphasis on color, graphic treatments, and coordinated seasonal palettes, positioning footwear not only as athletic equipment but as part of a broader design system aligned with apparel and sport culture at the time.
Catalog download link below and through the server page.
full catalog download link below and through the server page.
Nike's Spring 2000 Men’s line centered on Alpha Project: Air Zoom Drive 104203-071, Kukini, Zoom Seismic; lightweight mesh, TPU cages, reflective hits, Zoom cushioning across runners and trainers. Complete catalog download link available below and through the server.
View all Nike Footwear Catalogs
via venusimleder
Gyakusou is Nike Running's collaboration with Jun Takahashi of Undercover, named for the Japanese word for running a course in reverse. Details from the Spring/Summer 2011 jacket: a lightweight ripstop shell in white, grey and red, with a large perforated mesh panel across the back and shoulders for ventilation, bonded and taped seams, a stowable hood, and reflective Gyakusou branding at the shoulder. The vent openings are backed with mesh; the hem and cuffs are elasticated ripstop.
The Geneva Sound System Model XS, the smallest of Geneva Lab's lacquered-cube speakers: a piano-finish box with a flip-up top, FM tuner and dock. Here in red.
487785-600 (Red)
the grove pavilion is located at the center of the arced walkway where it briefly touches upon land, between the constantly texture of the water and matured trees. barbeques and public space provide recreational services to visitors within a subdued black structure that frames the colorful surrounding landscape. continuing eastward down the walkway leads to the wilkinson’s point pavilion born from an existing concrete pad built in the mid 20th century as the foundation for an unrealized bridge. the pavilion, a series of intersecting planes exhibiting various degrees of transparency and filtering of views and colors, cantilevers out over the water framing the site and a large open-air pad capable of hosting large scale events. massive concrete walls support a floating canopy containing an expansive red glass wall and a yellow skylight towards the cantilevered portion. the architecture adopts a simple form, poetic and restrained in the landscape, an experience heightened by its relative isolation from any other man-made developments.
Angela Lindvall POP (F/W 2002) ph. Mert & Marcus
Instrument designed and built in collaboration with members of the Interrogative Design Group, Center for Advanced Visual Studies, MIT: Adam Whiton, Sung Ho Kim, Jerzy Stypułkowski; Japanese team: Mari Ishiko with a group of school psychologists.
Dis-Armor is a psycho-cultural prosthetic device designed as a communications tool for school students. It was directly inspired by the artist’s meeting with alienated, sociopathic Japanese youngsters. The project’s title serves as a reference to the need for “disarming” – for young people encased in a carapace of silence to open up. Resembling a protective suit, the Dis-Armor combines modern technology with Japanese cultural traditions; its overall aesthetic and individual elements were inspired by antique samurai armor. The device features two mini cameras that film the eyes and send the image to two small-size screens at the user’s back. Young people who otherwise avoid direct contact with others can communicate by “looking and speaking with their backs.” Three versions of Dis-Armor were made: a blue one (the earliest); a gold one with an added camera to play back prerecorded statements, with sound-image synchronization, and the option to switch between playback and live broadcasting; and a third one, equipped with a back camera and a small LCD screen replacing the earlier rearview mirror.
![Mobile Suit Gundam: The 08th MS Team — RX-79[G] Ground Type Urban Combat](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2026/06/58974068431.jpg)
Hip bag in Trylon-R 2.5L, metallic-effect iridescent nylon, printed with a micro geometrical grid pattern, overprinted with a tiger-skin effect and with a laminated internal Wind-Tex® membrane. Cordura® lining. Over-dyed on finished garment.
Zip closure. Inside, the Stone Island Shadow badge. Second pocket closed by zip on the back. Adjustable belt in nylon tape, closed by buckle.
STONE ISLAND SHADOW PROJECT
90231
CATEGORY_EQUIP_BAGJACK® SHADOW TRANSFORMABLE MESSENGER BAG_TRYLON-R 2.5L WITH CORDURA®
Messenger bag in Trylon-R 2.5L, metallic-effect iridescent nylon, printed with a micro geometrical grid pattern, overprinted with a tiger-skin effect and with a laminated internal Wind-Tex® membrane. Cordura® lining. Over-dyed on finished garment.
Pocket with vertical zip fastening and Stone Island Shadow badge under the flap. Two front side pockets with flap and snap fastening and one central front pocket with horizontal zip fastening. White PVC Internal shell with padded nylon divide. By means of a series of tapes, straps and buckles, the bag may be transformed into a briefcase or back pack.
The Gnå backpack from the Swedish brand Klättermusen, in red. A single-compartment roll-top rucksack closed by a diagonal V-shaped flap drawn down across the face. The front carries Klättermusen's scalloped batten seams and an external cord-and-webbing lash system for tie-downs, over a ripstop nylon shell. Around 33 litres, with a top grab loop, side compression straps and padded shoulder straps.
The Nike ACG Lunar MacLeay 'China' (2010) in Solar Red and Moss Green, a lightweight hiking-style shoe on a Lunarlon midsole. Part of Nike's All Conditions Gear line.
