Yohji Yamamoto, S/S 1995.
via venusimleder
via venusimleder
GR10K "Incognito" Fall 2024 Ad Campaign







Full catalog download link available below and through the server page alongside an index of all available docs.




via johannaparv.com
The Oakley Medusa Helmet (2002) is an early-2000s performance helmet concept associated with Oakley’s then-expanding push into technical equipment beyond eyewear. The design is defined by aggressive surfacing, pronounced vent geometry, and a highly sculptural shell intended to signal speed and impact protection.
Functionally, the Medusa emphasizes airflow and coverage through a dense network of vents and channeling, paired with a shell profile that reads more armored than minimal. Fit and retention appear to follow common helmet conventions of the era, with the distinctive elements concentrated in the exterior shell tooling and vent architecture rather than hidden internal mechanisms. As a result, the helmet is often discussed as much for its styling and cultural placement as for technical specifics.
The 2004 Nike Women’s Spring Footwear Collection documents a transitional period in Nike design, where performance running, training, and lifestyle silhouettes were increasingly developed with women-specific tooling, proportions, and material strategies. The catalog presents a cross-section of early-2000s innovation, including lightweight mesh constructions, injected and Phylon-based midsoles, visible Air cushioning, and emerging considerations around fit, stability, and flexibility tailored to female athletes. Alongside technical models, the collection also reflects Nike’s growing emphasis on color, graphic treatments, and coordinated seasonal palettes, positioning footwear not only as athletic equipment but as part of a broader design system aligned with apparel and sport culture at the time.
Catalog download link below and through the server page.





They were called the “muscle suits” in The Cell. Eiko Ishioka designed them to resemble exposed musculature, turning the body into a surreal anatomical armor that fit the film’s psychological and dreamlike visuals.


Gelatin silver print, printed 1999. 43.5 x 58.8 cm. Signed and dated in ballpoint pen lower right. Signed, dated, titled in ballpoint pen as well as photographer's thumb print on the verso. - Framed under glass.


487785-600 (Red)








the grove pavilion is located at the center of the arced walkway where it briefly touches upon land, between the constantly texture of the water and matured trees. barbeques and public space provide recreational services to visitors within a subdued black structure that frames the colorful surrounding landscape. continuing eastward down the walkway leads to the wilkinson’s point pavilion born from an existing concrete pad built in the mid 20th century as the foundation for an unrealized bridge. the pavilion, a series of intersecting planes exhibiting various degrees of transparency and filtering of views and colors, cantilevers out over the water framing the site and a large open-air pad capable of hosting large scale events. massive concrete walls support a floating canopy containing an expansive red glass wall and a yellow skylight towards the cantilevered portion. the architecture adopts a simple form, poetic and restrained in the landscape, an experience heightened by its relative isolation from any other man-made developments.



















Angela Lindvall POP (F/W 2002) ph. Mert & Marcus
Hermès Fall 1998, inside the Margiela years: a private uniform with the lights left low.
The house codes are still there, but drained of announcement. Long coats, sleeveless shells, leather sleeves, flat boots, gloves, cashmere, grey wool, tobacco brown, black. Luxury held like a tool, not a trophy.
It is almost hostile in how little it performs. Monastic, office-punk, weatherproof, expensive without asking to be seen. A wardrobe for people who know exactly what they are looking at.



































Hip bag in Trylon-R 2.5L, metallic-effect iridescent nylon, printed with a micro geometrical grid pattern, overprinted with a tiger-skin effect and with a laminated internal Wind-Tex® membrane. Cordura® lining. Over-dyed on finished garment.
Zip closure. Inside, the Stone Island Shadow badge. Second pocket closed by zip on the back. Adjustable belt in nylon tape, closed by buckle.
STONE ISLAND SHADOW PROJECT
90231
CATEGORY_EQUIP_BAGJACK® SHADOW TRANSFORMABLE MESSENGER BAG_TRYLON-R 2.5L WITH CORDURA®
Messenger bag in Trylon-R 2.5L, metallic-effect iridescent nylon, printed with a micro geometrical grid pattern, overprinted with a tiger-skin effect and with a laminated internal Wind-Tex® membrane. Cordura® lining. Over-dyed on finished garment.
Pocket with vertical zip fastening and Stone Island Shadow badge under the flap. Two front side pockets with flap and snap fastening and one central front pocket with horizontal zip fastening. White PVC Internal shell with padded nylon divide. By means of a series of tapes, straps and buckles, the bag may be transformed into a briefcase or back pack.


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