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Dazed & Confused Magazine _ Issue 017 _ June 1995
Dazed & Confused Magazine _ Issue 009 _ March 1994
2004 Nike Women's Spring Footwear Catalog
The 2004 Nike Women’s Spring Footwear Collection documents a transitional period in Nike design, where performance running, training, and lifestyle silhouettes were increasingly developed with women-specific tooling, proportions, and material strategies. The catalog presents a cross-section of early-2000s innovation, including lightweight mesh constructions, injected and Phylon-based midsoles, visible Air cushioning, and emerging considerations around fit, stability, and flexibility tailored to female athletes. Alongside technical models, the collection also reflects Nike’s growing emphasis on color, graphic treatments, and coordinated seasonal palettes, positioning footwear not only as athletic equipment but as part of a broader design system aligned with apparel and sport culture at the time.
Catalog download link below and through the server page.
Lightning Archives Vol.150 NIKE CHRONICLE DELUXE 1971 to 1980s
Watch Martin Margiela: In His Own Words Documentary
Reiner Holzemer, offers a rare and intimate portrait of one of fashion’s most influential and elusive designers. More than a decade after leaving his namesake house, Martin Margiela reflects on over twenty years of work that radically reshaped contemporary fashion. Known for avoiding publicity and never showing his face, Margiela allows his creations to speak through a carefully selected body of garments, archival sketches, notes, and personal objects.
Guided by Margiela’s own understated commentary and insights from figures such as Jean-Paul Gaultier, Carine Roitfeld, Lidewij Edelkoort, Cathy Horyn, and Olivier Saillard, the film traces the philosophy behind 41 provocative collections and a legacy defined by anonymity, deconstruction, and innovation.
Muscle Suits, The Cell designed by Eiko Ishioka
They were called the “muscle suits” in The Cell. Eiko Ishioka designed them to resemble exposed musculature, turning the body into a surreal anatomical armor that fit the film’s psychological and dreamlike visuals.
JORDAN TWO3 Spring Summer 2002 CATALOG
Yohji Yamamoto, S/S 1995.
via venusimleder
Marithe Francois Girbaud Inside Collection Campaigns by Air Paris Agency
"Avakareta Life" Editorial Styled by Jun Takahashi
![Stone Island Navigation Series [shedding light] by Liam Macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2023/09/F5WkecNXQAA78GB.jpeg)
Stone Island Navigation Series [shedding light] by Liam Macrae
Stone Island Navigation Series: Shedding Light by Liam MacRae deploys a canine unit as both subject and sensor. The sequence examines tracking protocols, movement signatures, and light scatter in terrain navigation. Objective: assess animal-assisted pursuit as a guidance vector. Visual narrative captures the moment of release—unleashing the chase to test instinctive tracking against controlled illumination parameters.
Mercedes-Benz W126 S-Class — Red Leather Interior
MIlla Jovovich by Juergen Teller
MIlla Jovovich by Juergen Teller for Strenesse fw97
UNDERCOVER ss2011 "UNDERMAN" Collection
Man of Moods ss2016 Collection
Utilitarian-inspired Japanese fashion brand Man of Moods presents a selection of shots exhibiting a 2016 spring/summer collection titled “Mountain of Moods.” Featuring the brand’s usual blend of sleek lines and practical engineering, “Mountain of Moods” will be unveiled at House Gallery Space in Tokyo on September 15. With photography from Teppei Hoshida and styling by Tomoyuki Sasaki.
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
Undercover SS15
Undercover Spring/Summer 2015 carried Takahashi's twisted fairytale into a more digital setting, with LED screens integrated into garments and bags.
Photography by Jeff Henrikson; styling by Emma Wyman.
Undercover AW14
Jun Takahashi framed Undercover Autumn/Winter 2014 around fear, warmth and royalty. Braided crowns and rhinestones were offset by vamp-red contact lenses, red mascara, tartan and toile de Jouy interrupted by UFOs, turning the runway into a corrupted fairytale.
Photography by Jeff Henrikson; styling by Emma Wyman.
Science Fiction Danger Awareness — Miles Donovan
Miles Donovan's Science Fiction Danger Awareness imagines safety instructions for technologies that do not yet exist.
The series diagrams nanobots, an orbital elevator, a bionic limb, a teleporter and a ray gun in the visual language of technical manuals and warning labels.
Maison Martin Margiela x Kanye West Yeezus Tour Custom Outfits
Toni Garrn by Philip Gay, Just Do It, Interview Germany 2012
Arc’teryx Veilance ss2013 lookbook
Nike x Undercover Gyakusou FW2013
Photographed by Azim Haidaryan
Produced by Panottica
NEIGHBORHOOD 2013 Autumn/Winter Lookbook by SENSE Magazine
White Mountaineering aw2012 Wool Blend Pant
White Mountaineering fw2012 hunting Jacket
White Mountaineering aw2012 3/4 Pant
Geneva Sound System Model XS
The Geneva Sound System Model XS, the smallest of Geneva Lab's lacquered-cube speakers: a piano-finish box with a flip-up top, FM tuner and dock. Here in red.
VISVIM aw2012 BALLISTIC 20L BACKPACK
Hands holding weapon illustrations
Matsumoto Castle, Nagano Prefecture
Akira and the traumatic spectre of nuclear war
Stutterheim Stockholm Raincoat in Red
NIKE FOOTSCAPE FREE SAWTOOTH PACK RED
487785-600 (Red)
THE NORTH FACE FALL WINTER 2011 LOOKBOOK
laser cut elastic drawstring holes
Stone Island Fall/Winter 2013 Garment Dyed Down Gilet
the grove pavillion
the grove pavilion is located at the center of the arced walkway where it briefly touches upon land, between the constantly texture of the water and matured trees. barbeques and public space provide recreational services to visitors within a subdued black structure that frames the colorful surrounding landscape. continuing eastward down the walkway leads to the wilkinson’s point pavilion born from an existing concrete pad built in the mid 20th century as the foundation for an unrealized bridge. the pavilion, a series of intersecting planes exhibiting various degrees of transparency and filtering of views and colors, cantilevers out over the water framing the site and a large open-air pad capable of hosting large scale events. massive concrete walls support a floating canopy containing an expansive red glass wall and a yellow skylight towards the cantilevered portion. the architecture adopts a simple form, poetic and restrained in the landscape, an experience heightened by its relative isolation from any other man-made developments.
TOP_Down — Surrogate Self
Surrogate Self created TOP_Down as a Cinema 4D GIF experiment, first posted on October 31, 2012.
"Wendover II (For John)" by Barry Underwood
Angela Lindvall photographed by Mert & Marcus, 2002
Angela Lindvall POP (F/W 2002) ph. Mert & Marcus
Nike x Undercover Gyakusou SS2014
SENSE Magazine visvim Spring Summer 2012
A page from 'TEXT in visvim', the visvim Spring/Summer 2012 feature in Japan's SENSE Magazine (March 2012). Naturally dyed, hand-constructed pieces from Hiroki Nakamura.
SENSE March 2012 the TEXT in VISVIM 2012 Spring Summer
Akari Hayami — Japanese Fashion Magazine Editorial
Yung Lean & Bladee Victorious music video by Aidan Zamiri
Forty Percents Against Rights
FORTY PERCENTS AGAINST RIGHTS (FPAR), a Japanese label by Tetsu Nishiyama, who also runs WTAPS and ran the 1990s FPAR. Message-based graphics with military- and workwear-derived cuts; it opened its own online store in 2013.
Nike Heritage Shoulder Bag Editorial
Raf Simons Menswear Lookbook — Photography by David Armstrong
Alley at Dusk / 日暮れの路地 — uruyuta
Adidas Performance Tank Top and Leggings — Black Activewear Editorial
Joséphine Le Tutour in Alexander Wang — Numéro Tokyo July/August 2013
Nike x Undercover Gyakusou Holiday 2013 — Lookbook
Holiday 2013 lookbook sequence: garment systems, color fields, and repeated seams.
Yohji Yamamoto Editorial — Sculptural Wrap and Pleated Drape
Cottweiler aw2013
Credits:
Photography: Aline &Jacqueline Tappia Reynaud
Stylist: Lorenzo Posocco
Models: Charlie & Robin
Hair: Sophie Harris
Make-up: Jasmin Laura Rosso
Assistant: James Rg Neville
Unseen Luna by Ash Kingston
Tao Okamoto by Josh Olins for Vogue China August 2013
Jun Takahashi — Undercover Designer Portrait, Dazed June 2013
Interview with Jun Takahashi on Undercover AW13
Q: After two years away from the Paris catwalks, why was now the right time to show a runway collection?
A: After the earthquake disaster, we Japanese were spiritually in the worst state. It’s been two years since then and everyone is hoping to improve the present situation. I am one of them. I chose to have a runway show in Paris in order to restore myself. I thought it would work because going back to the runway was one of the things I had been hoping to do.
Q: Talking of the scar that Japan’s earthquake left on you, did it creatively affect your AW13 collection?
A: I was craving for creation, and that resulted in those one-off dresses. Two years ago, mentally and financially I wasn’t able to create such things. Those one-off pieces are my original works and made intuitively by myself. I am the only one who could make them. They are sacred works to me. I guess I like things where you can feel human warmth.
Q: Why did you call the show ‘Anatomicouture’? Was your intention to expose the inner bones of the garments?
A: It is a mentality of exposing the inner self, corresponding to my desire to reveal my creation and what’s going on in my head.
Q: Despite the skeleton and organ motifs, the collection is beautiful and seductive – does this come back to your interest in the contrast between ugly and beautiful?
A: Ugliness and beauty co-exist in human mentality. I always want to express those emotions.
Q: The AW13 show had the feel of punk performance art – why did you stage it like theatre?
A: Because the theme of this collection is related to human emotions, I thought my theme could be conveyed much better with such staging effects that would move people’s hearts. That’s why I used songs by Cat Power and James Blake. All the songs are great and meaningful and helped me convey what I wanted to express through the lyrics of songs too.
Q: When did your love of fashion start, and how did that lead to Undercover?
A: When I was little I loved drawing and had a twisted personality. I was so into punk during my high school years. My interest in fashion arose when I was around 15 years old and I was hoping to become a designer. At 18, I entered Bunka Fashion College. I was questioning about learning ‘design’ from teachers who were much older than me. So I told myself that I would learn only techniques in the school, nothing else.
Q: Undercover was considered part of a new wave of Japanese designers. How did your approach differ from the likes of Rei Kawakubo and Yohji Yamamoto?
A: I am not sure if Undercover is part of a new wave and I don’t really care. But Rei influenced me a lot on things like breaking stereotypes.
Q: You and your friend Hiroshi Fujiwara collected vintage Seditionaries pieces and published a book about them, and you even appeared in a show of Vivienne Westwood’s designs in Tokyo in 1990. Can you describe the impact punk made on you and explain why it still resonates today?
A: To me, punk means a spirit that questions and abolishes conventional ideas. That is my fundamental principle. You can apply the principle to fashion design. It depends on each season, but I instil punk interpretation into my designs in many ways – for example, by fusing two contradicting elements or applying techniques that are generally considered taboo.
Q: You recently designed lines for Uniqlo and Nike – how did you enjoy those two experiences? Did they feed back into your work with Undercover?
A: The Uniqlo and Nike collaborations are totally different types of designs from that of Undercover. Therefore the collaborations didn’t really affect my work with Undercover. But for my career as a designer, both collaborations became good experiences. Working with Uniqlo gave me the opportunity to learn about the creation of mass products and newly standard items that are totally different from designing avant-garde pieces. As for the collaboration with Nike, I am very satisfied both as a designer and as a runner with the fact that I have been able to create products which integrate necessary functions for running with fashion-design aesthetics, which had often perhaps been missing in the existing sportswear.
Q: You’ve talked in the past of the difficulties with keeping up with the six-month cycle of fashion shows, and skipped showing in Paris for a couple of seasons – how are you currently finding working within the fashion calendar?
A: Right now, I’ve come to the conclusion that the six-month cycle is appropriate. Themes of each Undercover collection vary by season. If we could spend more than six months on a collection, and if we continue to work with the same theme for a year, it would be difficult to keep up the tension towards the theme and I am afraid that the freshness would be lost.
Q: AW13 got a great response. Will we be seeing you back on the runway next season?
A: I could strongly feel that a lot of people were waiting for Undercover and I was very thankful about it. I will be back on the runway next season.
Q: Next year will mark the 20th since you began showing as Undercover. How do you feel you’ve evolved in that time?
A: I went through many phases and experienced many things. There was a time we faced various troubles, or we jumped into things just by force of circumstances. But nothing was wasted. I am responsible for all success and failure of Undercover. I will go forward without being ashamed of the paths I’ve chosen.
Chiaki Kuriyama — Kill Bill Volume 1 Japanese Magazine Feature
Hanna Putz — Friends of Friends Portrait by Thomas Lohr
Dark Suit — N.Hoolywood or Gareth Pugh Fashion Editorial
Undercoverism Fall/Winter 2012 Honeyee Editorial
Michelle Buswell by Koray Birand, Harper's Bazaar Turkey 2012
Loro Piana Womenswear Editorial — Dark Khaki Sheer Shirt and Turban
Engineered Garments Fall Winter 2011, HUgE Magazine
Arc'teryx Veilance Firmament Berlin
March for the Alternative at HSBC, London 2011
A masked protester strikes the graffiti-marked frontage of an HSBC branch during London's March for the Alternative anti-cuts demonstration on 26 March 2011.
LOOPWHEELER Gomashio Fleece Detail
Porter Yoshida White Mountaineering
Nike ACG Rongbuk Mid Gore-Tex — Black/Red and Black/Royal Blue
Men's Street Editorial Portrait — Monochrome
Arc'teryx Veilance SS12 — I Wish They Made This for Girls
“I Wish They Made This for Girls” is a recurring photo series by artist Vincent Tsang on onandbeyond.com, his menswear and technical-apparel journal. Each installment documents men’s garments worn by a woman.
This installment: Arc’teryx Veilance Spring/Summer 2012.
Deploy Composite Jacket (above) — black. WINDSTOPPER 3L front, shoulders and hood; stretch plain-weave nylon back and sides; asymmetric main zip carried over from the Arc’teryx Sidewinder.
Field Jacket LT (above) — Cirrus (grey). Stand collar with snap tabs; flap chest pocket.
Published on onandbeyond, March 2012.
DJ Krush Portrait
