Related_
Dazed & Confused Magazine _ Issue 017 _ June 1995
Dazed & Confused Magazine _ Issue 009 _ March 1994
GR10K Fall 2024 "Incognito"
GR10K "Incognito" Fall 2024 Ad Campaign
Arc'teryx LEAF Cold WX Pant LT Gen 2.1 MultiCam
Arc'teryx LEAF Cold WX Pant LT Gen 2.1 MultiCam Men’s is a synthetic insulated, windproof cold-weather pant intended for direct-action use in low temperatures. A hybrid materials build reinforces high-wear areas at the seat, knees, and ankles to improve durability and service life. Full-length side zips enable quick on/off over boots and allow adjustable ventilation. Fit is stabilized with an elasticized, adjustable nylon web waist and suspender loops for optional suspenders. Cargo pockets provide storage for hats, gloves, and small accessories. PFAS Warning: made with PFAS (per- and polyfluoroalkyl substances) chemicals.
WTAPS 01
Download link available below or through the server page.
JORDAN TWO3 Spring Summer 2002 CATALOG
Marithe Francois Girbaud Inside Collection Campaigns by Air Paris Agency
Haven Shop Buying Session Archives
Arc'teryx A2B Women's Commuter Jacket
Arc’teryx A2B Commuter Jacket W Chalk 15536, released 2015. Technical soft shell with motoi lines.
"Avakareta Life" Editorial Styled by Jun Takahashi
![Stone Island Navigation Series [shedding light] by Liam Macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2023/09/F5WkecNXQAA78GB.jpeg)
Stone Island Navigation Series [shedding light] by Liam Macrae
Stone Island Navigation Series: Shedding Light by Liam MacRae deploys a canine unit as both subject and sensor. The sequence examines tracking protocols, movement signatures, and light scatter in terrain navigation. Objective: assess animal-assisted pursuit as a guidance vector. Visual narrative captures the moment of release—unleashing the chase to test instinctive tracking against controlled illumination parameters.
Arc'teryx Leaf Minotaur Softshell Jacket Wolf
The Minotaur Jacket is a mid-weight, fully windproof shell with a grid fleece backer for insulation. WINDSTOPPER fabric makes it the warmest and most weather-protective LEAF softshell. The breathable membrane sheds moisture and regulates body temperature. Stretch content provides full mobility and comfort. A full front zipper, large hand pockets, and two internal zippered stow pockets add versatility. Articulation in the shoulders and elbows allows for dynamic motion and room for layers underneath. Pit zippers rapidly ventilate heat. Hand pockets, two internal zippered stow pockets, and bicep pockets. 4x4 Velcro identification patches.
Wild Things Wind Shirt WT 1.0
A minimally constructed, articulated stow-away hood fits the head snugly, allowing a helmet to be worn over it. The fit of the shirt is generous enough to pull over a mid layer, but fitted enough to keep the wind out. Features include elasticized sleeve cuffs, an adjustable hem, and an angled chest pocket.
Fit: Under Body Armor
Weight: 10 oz
Berry Amendment Compliant: 100% Made in U.S.A.Features:
- 1/2 zip pullover
- One angled chest pocket
- Concealed zippers
- Adjustable shock cord hem
- Stow-away hood
- Elastic wrists
- Dropped tail
Materials:
- 70 denier textured Nylon with silicone encapsulation
cp company urban protection jacket
Arc'teryx Hyllus Softshell Jacket
Junya Watanabe Solar-Powered Trench Coat
YR6375 Smackit Jacket in The Face May 1999
MIlla Jovovich by Juergen Teller
MIlla Jovovich by Juergen Teller for Strenesse fw97
POC Spine Ergo BUG Back Protector
TAKAHIROMIYASHITA The Soloist eArth dyed sheepskin jacket
Visvim Sanjuro Kimono Down Jacket
Naturally dyed Italian nylon with a white goose down fill, ribbed collar, 2 slanted snap button pockets, Talon zippered utility pocket on one sleeve, patch detailing on the placket and hand–stitched sashiko.
UNDERCOVER ss2011 "UNDERMAN" Collection
Teva x UGG Sheepskin Lined Footwear
Comme des Garcons Homme Plus Vintage Foulard Lining Blazer
Acronym stone island shadow project Veilance
Man of Moods ss2016 Collection
Utilitarian-inspired Japanese fashion brand Man of Moods presents a selection of shots exhibiting a 2016 spring/summer collection titled “Mountain of Moods.” Featuring the brand’s usual blend of sleek lines and practical engineering, “Mountain of Moods” will be unveiled at House Gallery Space in Tokyo on September 15. With photography from Teppei Hoshida and styling by Tomoyuki Sasaki.
UNDERCOVER: 30TH ANNIVERSARY LEATHER DOWN JACKETS
In 2021 designer Jun Takahashi has turned to some of his long-time friends in the Tokyo fashion scene to offer their take on UC’s signature hybrid style with a series of leather sleeve down jackets with various mixed materials and detailing. Created in partnership with peers sacai, Kolor, Fragment design, TheSoloist and N.Hoolywood. The jackets all take a different tact to exploring the same style of garment.
Undercoverism Down Jacket fw2008
Engineered Garments (エンジニアード ガーメンツ) Taffeta Down Vest
aw2012 Visvim Pawnee Corduroy Jacket
Toni Garrn by Philip Gay, Just Do It, Interview Germany 2012
Arc’teryx Veilance ss2013 lookbook
NEIGHBORHOOD 2013 Autumn/Winter Lookbook by SENSE Magazine
WTAPS 11AW Ian L/S Tee — Cotton Raglan
White Mountaineering fw2012 hunting Jacket
THE NORTH FACE FALL WINTER 2011 LOOKBOOK
Angela Lindvall photographed by Mert & Marcus, 2002
Angela Lindvall POP (F/W 2002) ph. Mert & Marcus
SENSE Magazine visvim Spring Summer 2012
A page from 'TEXT in visvim', the visvim Spring/Summer 2012 feature in Japan's SENSE Magazine (March 2012). Naturally dyed, hand-constructed pieces from Hiroki Nakamura.
GOLDWIN SS2017
“Everyone pays attention to what is right before his eyes. What sets a manufacturer apart is giving painstaking detail to what is not readily visible.”
— Tosaku Nishida, The Founder of Goldwin
SENSE March 2012 the TEXT in VISVIM 2012 Spring Summer
Akari Hayami — Japanese Fashion Magazine Editorial
Yung Lean & Bladee Victorious music video by Aidan Zamiri
Forty Percents Against Rights
FORTY PERCENTS AGAINST RIGHTS (FPAR), a Japanese label by Tetsu Nishiyama, who also runs WTAPS and ran the 1990s FPAR. Message-based graphics with military- and workwear-derived cuts; it opened its own online store in 2013.
Worlds End by Vivienne Westwood and Malcolm McLaren “BUFFALO COAT” fw1982
Nike Heritage Shoulder Bag Editorial
Raf Simons Menswear Lookbook — Photography by David Armstrong
Adidas Performance Tank Top and Leggings — Black Activewear Editorial
Maharishi Short Flight Jacket Spring Summer 2014
Joséphine Le Tutour in Alexander Wang — Numéro Tokyo July/August 2013
Yohji Yamamoto Editorial — Sculptural Wrap and Pleated Drape
Cottweiler aw2013
Credits:
Photography: Aline &Jacqueline Tappia Reynaud
Stylist: Lorenzo Posocco
Models: Charlie & Robin
Hair: Sophie Harris
Make-up: Jasmin Laura Rosso
Assistant: James Rg Neville
WTAPS FW13 Lifist Lookbook
WTAPS FW13 Lifist lookbook image with Tetsu Nishiyama riding a vintage motorcycle, part of the collection’s lifestyle-focused presentation.
Unseen Luna by Ash Kingston
Tao Okamoto by Josh Olins for Vogue China August 2013
Neighborhood Motorcycle Gloves
Jun Takahashi — Undercover Designer Portrait, Dazed June 2013
Interview with Jun Takahashi on Undercover AW13
Q: After two years away from the Paris catwalks, why was now the right time to show a runway collection?
A: After the earthquake disaster, we Japanese were spiritually in the worst state. It’s been two years since then and everyone is hoping to improve the present situation. I am one of them. I chose to have a runway show in Paris in order to restore myself. I thought it would work because going back to the runway was one of the things I had been hoping to do.
Q: Talking of the scar that Japan’s earthquake left on you, did it creatively affect your AW13 collection?
A: I was craving for creation, and that resulted in those one-off dresses. Two years ago, mentally and financially I wasn’t able to create such things. Those one-off pieces are my original works and made intuitively by myself. I am the only one who could make them. They are sacred works to me. I guess I like things where you can feel human warmth.
Q: Why did you call the show ‘Anatomicouture’? Was your intention to expose the inner bones of the garments?
A: It is a mentality of exposing the inner self, corresponding to my desire to reveal my creation and what’s going on in my head.
Q: Despite the skeleton and organ motifs, the collection is beautiful and seductive – does this come back to your interest in the contrast between ugly and beautiful?
A: Ugliness and beauty co-exist in human mentality. I always want to express those emotions.
Q: The AW13 show had the feel of punk performance art – why did you stage it like theatre?
A: Because the theme of this collection is related to human emotions, I thought my theme could be conveyed much better with such staging effects that would move people’s hearts. That’s why I used songs by Cat Power and James Blake. All the songs are great and meaningful and helped me convey what I wanted to express through the lyrics of songs too.
Q: When did your love of fashion start, and how did that lead to Undercover?
A: When I was little I loved drawing and had a twisted personality. I was so into punk during my high school years. My interest in fashion arose when I was around 15 years old and I was hoping to become a designer. At 18, I entered Bunka Fashion College. I was questioning about learning ‘design’ from teachers who were much older than me. So I told myself that I would learn only techniques in the school, nothing else.
Q: Undercover was considered part of a new wave of Japanese designers. How did your approach differ from the likes of Rei Kawakubo and Yohji Yamamoto?
A: I am not sure if Undercover is part of a new wave and I don’t really care. But Rei influenced me a lot on things like breaking stereotypes.
Q: You and your friend Hiroshi Fujiwara collected vintage Seditionaries pieces and published a book about them, and you even appeared in a show of Vivienne Westwood’s designs in Tokyo in 1990. Can you describe the impact punk made on you and explain why it still resonates today?
A: To me, punk means a spirit that questions and abolishes conventional ideas. That is my fundamental principle. You can apply the principle to fashion design. It depends on each season, but I instil punk interpretation into my designs in many ways – for example, by fusing two contradicting elements or applying techniques that are generally considered taboo.
Q: You recently designed lines for Uniqlo and Nike – how did you enjoy those two experiences? Did they feed back into your work with Undercover?
A: The Uniqlo and Nike collaborations are totally different types of designs from that of Undercover. Therefore the collaborations didn’t really affect my work with Undercover. But for my career as a designer, both collaborations became good experiences. Working with Uniqlo gave me the opportunity to learn about the creation of mass products and newly standard items that are totally different from designing avant-garde pieces. As for the collaboration with Nike, I am very satisfied both as a designer and as a runner with the fact that I have been able to create products which integrate necessary functions for running with fashion-design aesthetics, which had often perhaps been missing in the existing sportswear.
Q: You’ve talked in the past of the difficulties with keeping up with the six-month cycle of fashion shows, and skipped showing in Paris for a couple of seasons – how are you currently finding working within the fashion calendar?
A: Right now, I’ve come to the conclusion that the six-month cycle is appropriate. Themes of each Undercover collection vary by season. If we could spend more than six months on a collection, and if we continue to work with the same theme for a year, it would be difficult to keep up the tension towards the theme and I am afraid that the freshness would be lost.
Q: AW13 got a great response. Will we be seeing you back on the runway next season?
A: I could strongly feel that a lot of people were waiting for Undercover and I was very thankful about it. I will be back on the runway next season.
Q: Next year will mark the 20th since you began showing as Undercover. How do you feel you’ve evolved in that time?
A: I went through many phases and experienced many things. There was a time we faced various troubles, or we jumped into things just by force of circumstances. But nothing was wasted. I am responsible for all success and failure of Undercover. I will go forward without being ashamed of the paths I’ve chosen.
Chiaki Kuriyama — Kill Bill Volume 1 Japanese Magazine Feature
Hanna Putz — Friends of Friends Portrait by Thomas Lohr
Dark Suit — N.Hoolywood or Gareth Pugh Fashion Editorial
WTAPS GIB Belt (Acrylic Webbing)
Undercoverism Fall/Winter 2012 Honeyee Editorial
Michelle Buswell by Koray Birand, Harper's Bazaar Turkey 2012
Salomon Charvin Softshell Jacket
The women’s Charvin is cut as a light windproof softshell rather than a hard barrier: stretch through the body, a high collar, one angled chest pocket and almost no excess. Built for early runs, race warm-ups and mild Nordic conditions.
