Nike Free Woven Khaki Stadium Green Hyper Blue Pink
Nike Free Woven in Khaki, Stadium Green, Hyper Blue, and Pink, with a multicolor woven upper and white Free sole. Style code 555307-236.





Nike Free Woven in Khaki, Stadium Green, Hyper Blue, and Pink, with a multicolor woven upper and white Free sole. Style code 555307-236.





The Stone Island Shadow vector continues with the project's fourth seasonal capsule collection. Fueled by new reactions within the project's original conceptual core, fresh manifestations of fabric, style, detail, and interface emerge as the lightest, yet most comprehensive, offering thus far.
This unique trajectory begins, of course, at a unique point of origin — the inimitable constellation of research and development that is STONE ISLAND. Hidden detail and potential action lies at the heart of each and every Stone Island Shadow style.
Enfolding this in a simpler, softer way, a new focus can be brought to bear on both resolution of shape and fidelity of color. The goal is vibrancy and directness; stripping away the superfluous without sacrificing capability, and the lightness that can only be found by moving through one's environment with zero resistance.
Modular Performance Grid, PARSEQ is the organizational framework upon which the idea is built: PROOF, AUGMENT, RESIST, SKIN and EQUIP. All Shadow fabrics work together as part of the grid — breathable, moisture managing, skin-friendly and maintainable — chosen for their balance of performance technology and the aesthetic treatments for which Stone Island has been known since its inception.













































Stone Island’'s Navigation Series: Under the Radar by Liam MacRae examines sonar, signal, and instinct in aquatic navigation. Radar sweeps above are mirrored by sharks circling below, drawn to a submerged emblem that acts as both marker and transmission. The study observes how symbol and frequency converge—technology tracing, nature responding.


The Inspired by kumakey’s “roBa,” the moNa2 is a small wireless split keyboard developed by shakupan and pooh.polo, designed to keep a desk feeling open and unclaimed. Two compact halves sit apart with a quiet gap between them, leaving room for a notebook or tools without forcing a single, monolithic footprint.
The layout is restrained: low, close spacing with a built-in thumb-controlled ball that keeps basic navigation under the hand instead of pushing you toward a mouse. The whole object reads as light hardware rather than a centerpiece, favors packing and redeploying—such as magnets on the underside so the halves can join together for transport.
It runs wire-free and is meant to be adjusted over time rather than treated as a fixed appliance. Typical usage notes describe it lasting roughly a couple of weeks of frequent daily use before needing attention again, with the exact cadence depending on how it’s set up and used.
Longsleeve from the third season of the Tony Spackman–designed Code collection. Each Nike Code piece was produced in a series of 1,000 numbered units. This style is titled “First Grade Tee2 Unit” and is made from a wool-blend fabric with a uniquely shaped structured collar. Functional details include reinforced ventilation eyelets at the back and underarms, lower front darts, and a tonal Swoosh on the sleeve. Branding elements consist of a rubber “03” patch on the chest, along with rubberized hang tag and brand label.






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Nike Fall 1997 Men’s Footwear catalog framed the shift to visible tech and faster silhouettes. It highlighted full-length Air platforms, expanding Zoom Air runners, and updated cross-training and hoops lines, with reflective accents, welded overlays, and open mesh as recurring materials. ACG pages pushed trail shoes and light hikers with lugged rubber and reinforced toe wraps. Complete catalog download link below and through the server page.
The 1998 Nike Late Spring Footwear Catalog is a 260-page reference detailing Nike’s seasonal footwear lineup. It features technical and visual documentation of performance and lifestyle models, including the Air Max 98, Air Minot, Terra Humara, Air Rift, and Air Terra Sertig. The catalog provides material data, color listings, and product codes for retail and distribution use.
Full catalog download link below and through the server page.
All nike catalogs.
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The Kormas Loafers, features a hybrid sole construction, geometric upper construction with two different textures leather. Slip-on opening with front strap.


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Scans via D. D. Teoli Jr. A. C.


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The 2004 Nike Women’s Spring Footwear Collection documents a transitional period in Nike design, where performance running, training, and lifestyle silhouettes were increasingly developed with women-specific tooling, proportions, and material strategies. The catalog presents a cross-section of early-2000s innovation, including lightweight mesh constructions, injected and Phylon-based midsoles, visible Air cushioning, and emerging considerations around fit, stability, and flexibility tailored to female athletes. Alongside technical models, the collection also reflects Nike’s growing emphasis on color, graphic treatments, and coordinated seasonal palettes, positioning footwear not only as athletic equipment but as part of a broader design system aligned with apparel and sport culture at the time.
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Full catalog download link available below and through the server page alongside an index of all available docs.




Nike Fall 2002 Men’s Footwear highlighted molded shells, Zoom cushioning, and Shox platforms across running, court, and training. Key entries: Nike Air Zoom Courtposite 304147-004 (Anthracite/Lt Graphite-Key Lime) with a Posite shell, internal bootie fit, forefoot/heel Zoom, and hard-court herringbone traction; Nike Shox Supreme 304068-062 featuring a tuned Shox column chassis, supportive upper with TPU structure, and reflective details for road training; Nike Air Zoom Flexposite 303949-992 combining flexible Posite panels with targeted Zoom and translucent rubber for a tech-forward ride. Complete catalog download link below and through the server page.



Key highlights include Vince Carter’s first signature model—the Nike Shox BB4, featuring Shox columns in both heel and forefoot—and the Air Max Dolce, with visible Air-Sole cushioning and a molded Phylon upper. The Presto series appears in multiple woven and gym variants, showing Nike’s focus on adaptive fit and lightweight construction. The catalog combines technical specification sheets with full-color layouts, capturing the brand’s shift toward integrated design and athlete-driven performance engineering.
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Nike Men’s Spring 2004 footwear collection presented “Instruments of Speed” training and running models such as the Nike Vapor Trainer and Air Zoom Swift Vapor, organized through the Prescribed for You system rating stability, cushioning, and width. The season’s basketball lineup was highlighted by the introduction of the LeBron James Air Zoom Generation.






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Nike's Spring 2000 Men’s line centered on Alpha Project: Air Zoom Drive 104203-071, Kukini, Zoom Seismic; lightweight mesh, TPU cages, reflective hits, Zoom cushioning across runners and trainers. Complete catalog download link available below and through the server.
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The Nike 1999 Spring Men’s Footwear Catalog presents a range of performance models across running, training, basketball, and outdoor categories. Designs reflect late-1990s emphasis on visible cushioning systems, sculpted midsoles, and bold color blocking, with products positioned for both competitive use and everyday wear.
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Made more than 100 years ago by a Welsh singer named Margaret Watts Hughes — not by her hand but rather using her voice and an Eidophone, a “recording” device of her own invention. She would sing into the Eidophone’s funnel and so make its diaphragm vibrate. She’d then bring this vibrating diaphragm in contact with a glass plate covered in pigment to create these wondrous images, akin to visual sound recordings, or what she called Voice Figures (and the more complex Impression Figures).


From the spitting image exhibiton curated by Pop Gun and Heart Gallery
The Dada Supreme Chrome C-Dubbz sneakers are built around an intentionally heavy, high-volume silhouette: a tall collar, a thick tongue, and a wide forefoot that reads as protective and stable. The upper is typically constructed from layered synthetic panels with pronounced overlays, giving the shoe a structured, armored look and a more rigid feel than minimalist basketball uppers. Stitch lines and panel breaks are used as graphic elements—sections are segmented, stacked, and outlined to create depth, with glossy “chrome” accents placed to catch highlights and exaggerate contour changes as the foot moves.
Branding is designed to be unmistakable at a distance. Expect oversized side marks, large-scale heel or tongue identifiers, and bold, high-contrast placements that function like visual anchors on the lateral and medial sides. The chrome treatment usually appears as reflective or high-shine synthetic components (often on overlays, badges, or trim), creating a hard, metallic read against matte base materials and emphasizing the shoe’s sculpted geometry.
Padding and fit cues tend to be substantial: a thick collar for ankle cushioning, a padded tongue that fills the lace channel, and a lace system supported by reinforced eyestays. This combination aims for a locked-in, “wrapped” fit—more secure and cushioned than sleek—especially through the midfoot where the overlays and lacing work together to reduce lateral movement.
The sole unit is equally assertive. The midsole sits tall with a broad footprint, visually communicating impact protection and stability. Tooling is typically chunky and segmented, with sculpted sidewalls and recesses that add shadow and definition. The outsole commonly uses deep grooves and a dense traction pattern intended for grip and durability, with a flatter contact area and widened edges that support hard stops, pivots, and lateral cuts. Overall, the design language prioritizes structure, cushioning volume, and visual force—built to feel protective under load and to look loud even when standing still.
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.



Nepal is home to the Apis Laboriosa, the biggest honey bee on the planet, and honey hunting plays a significant role in the local way of life. The bees build their hives on the cliffs of the country's foothills, which adds complexity to the honey hunting process. Local honey hunters use rope ladders and baskets to access the combs after driving the bees away with smoke from a fire underneath the hives. They carefully collect the honey treasure from the combs while dealing with territorial bees. The harvesting occurs once a year and begins with a harvest ritual that varies across towns, often starting with a prayer and the offering of flowers, rice, and fruits.
This unique aspect of Nepali culture is captivating, and tourists have the opportunity to witness the bravery of the honey hunters, explore the fascination of the Nepali landscape, and admire the intricate homes of the honey bees.


















Credits: zamalone




These pants a cut slightly shorter for better running comfort. Great for slightly harsher weather conditions. Insideout construction for seamless fit inside. From the Nike Running Gyakusou collection. Made in Japan.








ASICS GEL-BURZ 1 / KIKO KOSTADINOV
Directed: Bafic
Producer: Alice Lewis
Edit: Bafic
Dop: Harry Wheeler
assistant: Francis Plummer
Grade: Tim Smith @ Etc





The Marble Caves, known as Marble Chapel and Marble Cathedral, are located at the center of the lake and were formed by waves over the past 6,000 years.




Text description provided by the architects. The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here. Interior space of the house is designed to maximize the interaction to its surrounding environment.









The Salomon Speedcross 3 Camo in Titanium/Dark Titanium/Swamp applies a muted tonal camouflage treatment to the footwear's aggressive trail-running silhouette. A grippy lugged outsole and supportive upper keep it performance-driven, while the low-contrast palette makes it feel more tactical for desert environments.





