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NANA 1st Illustrations _ Ai Yazawa
NANA 1st Illustrations gathers Nana Osaki, Nana Komatsu, Ren Honjo, Nobuo Terashima, Shinichi Okazaki, and Yasushi Takagi not as model sheets but as quiet romances in fabric and metal. Osaki’s black leather and lace feel like vows; her Vivienne Westwood Armour Ring glints like a promise she keeps. Komatsu floats in lighter textiles and soft palettes, a tender blur that finds light even when it trembles. Shinichi moves in bondage pants—wide legs, trailing straps, D-rings and chains—tempered by fitted tanks, layered belts, and combat boots; the strapwork turns his stride into music and cinches him closer when the stage goes still.
Ren and Yasu hold steadier lines—smoke, denim, talismanic hardware—anchors for the others’ weather. Here costume is character: friendship sewn into hems, devotion clasped in studs, defiance stitched in black. A Complete NANA 1st Illustrations book scan is available on the server. A Complete NANA 1st Illustrations book scan is available on the server.
GR10K Fall 2024 "Incognito"
GR10K "Incognito" Fall 2024 Ad Campaign
Evangelion Unit-01
"The thread of human hope is spun with fragile lies. Those who weave it find solace in delusion, for truth is a burden too heavy for most hearts to bear."
2004 Nike Women's Spring Footwear Catalog
The 2004 Nike Women’s Spring Footwear Collection documents a transitional period in Nike design, where performance running, training, and lifestyle silhouettes were increasingly developed with women-specific tooling, proportions, and material strategies. The catalog presents a cross-section of early-2000s innovation, including lightweight mesh constructions, injected and Phylon-based midsoles, visible Air cushioning, and emerging considerations around fit, stability, and flexibility tailored to female athletes. Alongside technical models, the collection also reflects Nike’s growing emphasis on color, graphic treatments, and coordinated seasonal palettes, positioning footwear not only as athletic equipment but as part of a broader design system aligned with apparel and sport culture at the time.
Catalog download link below and through the server page.
Lightning Archives Vol.150 NIKE CHRONICLE DELUXE 1971 to 1980s
Watch Martin Margiela: In His Own Words Documentary
Muscle Suits, The Cell designed by Eiko Ishioka
They were called the “muscle suits” in The Cell. Eiko Ishioka designed them to resemble exposed musculature, turning the body into a surreal anatomical armor that fit the film’s psychological and dreamlike visuals.
Yohji Yamamoto, S/S 1995.
via venusimleder
ghost in the shell thermoptic camouflage
White Mountaineering aw2012 Wool Blend Pant
White Mountaineering fw2012 hunting Jacket
White Mountaineering aw2012 3/4 Pant
VISVIM aw2012 BALLISTIC 20L BACKPACK
Hands holding weapon illustrations
Matsumoto Castle, Nagano Prefecture
Akira and the traumatic spectre of nuclear war
O ren Ishii's Heckler & Koch PSG-1
By 20, she was the top female assassins in the world.
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NIKE FOOTSCAPE FREE SAWTOOTH PACK RED
487785-600 (Red)
THE NORTH FACE FALL WINTER 2011 LOOKBOOK
Nike x Undercover Gyakusou Holiday 2013
laser cut elastic drawstring holes
the grove pavillion
the grove pavilion is located at the center of the arced walkway where it briefly touches upon land, between the constantly texture of the water and matured trees. barbeques and public space provide recreational services to visitors within a subdued black structure that frames the colorful surrounding landscape. continuing eastward down the walkway leads to the wilkinson’s point pavilion born from an existing concrete pad built in the mid 20th century as the foundation for an unrealized bridge. the pavilion, a series of intersecting planes exhibiting various degrees of transparency and filtering of views and colors, cantilevers out over the water framing the site and a large open-air pad capable of hosting large scale events. massive concrete walls support a floating canopy containing an expansive red glass wall and a yellow skylight towards the cantilevered portion. the architecture adopts a simple form, poetic and restrained in the landscape, an experience heightened by its relative isolation from any other man-made developments.
"Wendover II (For John)" by Barry Underwood
Angela Lindvall photographed by Mert & Marcus, 2002
Angela Lindvall POP (F/W 2002) ph. Mert & Marcus
Arc'teryx Veilance Firmament Berlin
Porter Yoshida White Mountaineering
Stairs at the Leipzig opera house
STONE ISLAND SHADOW PROJECT HIP BAG
Hip bag in Trylon-R 2.5L, metallic-effect iridescent nylon, printed with a micro geometrical grid pattern, overprinted with a tiger-skin effect and with a laminated internal Wind-Tex® membrane. Cordura® lining. Over-dyed on finished garment.
Zip closure. Inside, the Stone Island Shadow badge. Second pocket closed by zip on the back. Adjustable belt in nylon tape, closed by buckle.
STONE ISLAND SHADOW PROJECT TRANSFORMABLE MESSENGER BAG
STONE ISLAND SHADOW PROJECT
90231
CATEGORY_EQUIP_BAGJACK® SHADOW TRANSFORMABLE MESSENGER BAG_TRYLON-R 2.5L WITH CORDURA®
Messenger bag in Trylon-R 2.5L, metallic-effect iridescent nylon, printed with a micro geometrical grid pattern, overprinted with a tiger-skin effect and with a laminated internal Wind-Tex® membrane. Cordura® lining. Over-dyed on finished garment.
Pocket with vertical zip fastening and Stone Island Shadow badge under the flap. Two front side pockets with flap and snap fastening and one central front pocket with horizontal zip fastening. White PVC Internal shell with padded nylon divide. By means of a series of tapes, straps and buckles, the bag may be transformed into a briefcase or back pack.
