Nike x Undercover Gyakusou Holiday 2013








A statement of quiet aggression against the background of chaos and turbulence that is today, the eleventh Stone Island Shadow Project steps in and leans forward. The collection is built on classic menswear archetypes honed to an edge just shy of the subversive. Atemporal and eminently wearable, the 5919 collection is built for those who make moves that turn obstacles into opportunities. Details and designs are informed by equal parts sartorial tradition and subcultural edge. Fabrics are high speed and low drag; unfussy and technical to the degree that they are practical. Colors balance credibility with flashes of energy and high-fidelity saturation. Pattern and graphic infusions complete a package made possible only through the engineering and expertise that is Stone Island.


















![40303 INSULATING REMOVABLE LINER [IRIDESCENT NYLON QUILTING] OF THE CROP JACKET_PW3 TECH WOOL Long-sleeve detachable lining of the Crop Jacket in PW3 Tech Wool, in a lightweight iridescent nylon quilted with a star-pattern to a padding substrate. The lining is fixed to the garment with ties and a snap fastener. These tapes and the button at the cuffs allow the lining to be integrated in Stone Island Shadow Project shoulder pieces, both from this season and past and future seasons. Metal zip fastening. 30110 WIDE PLEATED PANT_CO DIAGONAL Trousers with single dart in diagonal weave comfort cotton. Garment dyed. Wide fit. Diagonal side pockets. Two flat pockets on the back. Zip fly and button at the waist.](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/2026/06/stone-island-shadow-project-aw2013-2014-lookbook-31.jpg)





GR10K "Incognito" Fall 2024 Ad Campaign







via johannaparv.com
The 2004 Nike Women’s Spring Footwear Collection documents a transitional period in Nike design, where performance running, training, and lifestyle silhouettes were increasingly developed with women-specific tooling, proportions, and material strategies. The catalog presents a cross-section of early-2000s innovation, including lightweight mesh constructions, injected and Phylon-based midsoles, visible Air cushioning, and emerging considerations around fit, stability, and flexibility tailored to female athletes. Alongside technical models, the collection also reflects Nike’s growing emphasis on color, graphic treatments, and coordinated seasonal palettes, positioning footwear not only as athletic equipment but as part of a broader design system aligned with apparel and sport culture at the time.
Catalog download link below and through the server page.





They were called the “muscle suits” in The Cell. Eiko Ishioka designed them to resemble exposed musculature, turning the body into a surreal anatomical armor that fit the film’s psychological and dreamlike visuals.


via venusimleder
Fall/Winter 2011 campaign imagery from Nike x Undercover Gyakusou, Jun Takahashi’s running project with Nike. Shot in Kyoto, the Running Monks film and lookbook place technical running apparel against temple architecture, shrine paths, moss, stone, and woodland.
The collection frames running as a quiet, ritualized practice rather than a purely athletic one. Slim outer layers, tights, gloves, caps, and tonal performance pieces sit within a muted autumn palette, connecting Nike running technology with Undercover’s controlled, monastic visual language.















These pants a cut slightly shorter for better running comfort. Great for slightly harsher weather conditions. Insideout construction for seamless fit inside. From the Nike Running Gyakusou collection. Made in Japan.




Gyakusou is Nike Running's collaboration with Jun Takahashi of Undercover, named for the Japanese word for running a course in reverse. Details from the Spring/Summer 2011 jacket: a lightweight ripstop shell in white, grey and red, with a large perforated mesh panel across the back and shoulders for ventilation, bonded and taped seams, a stowable hood, and reflective Gyakusou branding at the shoulder. The vent openings are backed with mesh; the hem and cuffs are elasticated ripstop.

















The theme, again, is running and the pieces – that include two editions of LUNARSPIDER – were developed by the running division of the swoosh brand, having technical attributes and performance as main concerns







In 2021 designer Jun Takahashi has turned to some of his long-time friends in the Tokyo fashion scene to offer their take on UC’s signature hybrid style with a series of leather sleeve down jackets with various mixed materials and detailing. Created in partnership with peers sacai, Kolor, Fragment design, TheSoloist and N.Hoolywood. The jackets all take a different tact to exploring the same style of garment.









Back detail from the 4503 pant from JOHNUNDERCOVER's "Cold Blood" Collection.






Putting his signature punk inspired twist to classic silhouettes- Jun Takahashi releases the L4203-3 Blouson as part of the brand's "anatomicouture" autumn/winter collection. Based on a bomber jacket the piece retains the rounded shape of the jacket along with ribbed collar, cuffs, and bottom hem. Pinstripe is utilized as the piece's majority giving it a more sophisticated aesthetic; UNDERCOVER's signature mixed material construction is also showcased in leather sleeve sections, and knitted sweater tail rear section. Functional components come in they way of snap button chest pockets, interior snap button pocket, and waist zip pockets. Made in Japan. Mixed material construction. Leather sleeve sections. Knitted sweater tail rear section. Snap button chest pockets. Interior snap button pocket. Waist zip pockets.












Photographed by Azim Haidaryan
Produced by Panottica

















The Geneva Sound System Model XS, the smallest of Geneva Lab's lacquered-cube speakers: a piano-finish box with a flip-up top, FM tuner and dock. Here in red.

487785-600 (Red)








the grove pavilion is located at the center of the arced walkway where it briefly touches upon land, between the constantly texture of the water and matured trees. barbeques and public space provide recreational services to visitors within a subdued black structure that frames the colorful surrounding landscape. continuing eastward down the walkway leads to the wilkinson’s point pavilion born from an existing concrete pad built in the mid 20th century as the foundation for an unrealized bridge. the pavilion, a series of intersecting planes exhibiting various degrees of transparency and filtering of views and colors, cantilevers out over the water framing the site and a large open-air pad capable of hosting large scale events. massive concrete walls support a floating canopy containing an expansive red glass wall and a yellow skylight towards the cantilevered portion. the architecture adopts a simple form, poetic and restrained in the landscape, an experience heightened by its relative isolation from any other man-made developments.



















Angela Lindvall POP (F/W 2002) ph. Mert & Marcus
























Credits:
Photography: Aline &Jacqueline Tappia Reynaud
Stylist: Lorenzo Posocco
Models: Charlie & Robin
Hair: Sophie Harris
Make-up: Jasmin Laura Rosso
Assistant: James Rg Neville






































































