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moNa2 keyboard
The Inspired by kumakey’s “roBa,” the moNa2 is a small wireless split keyboard developed by shakupan and pooh.polo, designed to keep a desk feeling open and unclaimed. Two compact halves sit apart with a quiet gap between them, leaving room for a notebook or tools without forcing a single, monolithic footprint.
The layout is restrained: low, close spacing with a built-in thumb-controlled ball that keeps basic navigation under the hand instead of pushing you toward a mouse. The whole object reads as light hardware rather than a centerpiece, favors packing and redeploying—such as magnets on the underside so the halves can join together for transport.
It runs wire-free and is meant to be adjusted over time rather than treated as a fixed appliance. Typical usage notes describe it lasting roughly a couple of weeks of frequent daily use before needing attention again, with the exact cadence depending on how it’s set up and used.
Anonymous Textile Design Series, Mulhouse, Alsace, 1840
Anonymous textile prototypes, Mulhouse, Alsace, c.1840. Rectilinear design sheets generated within the industrial print studios of the Haut-Rhin. Each document encodes surface strategies for mass deployment—pearl rows, abstract chromatic fields, simulated resist-dye grounds. Executed as precision studies for repeat application, they reflect Mulhouse’s role as a nineteenth-century vector hub of textile innovation and print chemistry.
EMERY MOUNTAINS
April 2024, FRIEZE No. 9 Cork Street Gallery, London
EXHIBITION: The Mountains Between Us, FRIEZE No 9 Cork St
Weaving together photography, video and sculptural objects, lena_c_emery highlights the accelerated loss of mountain glaciers and the desperate conservation efforts currently employed to impede their decline. Under the continued influence of greenhouse-gas forced global warming, ice that took centuries to develop is vanishing in just a number of years. A fate experts predict for at least two-thirds of all glaciers by the end of this century. EMERY: In ‘The Mountains Between Us’, I capture the current environmental efforts undertaken to reduce the rate at which glaciers melt. Glaciers have held space for centuries, silently bearing witness to history. They’ve seen the world change in ways we can barely comprehend. Because my grandfather spent his life in these mountains, watching this particular glacier retreat and form lakes where there was previously only ice and at a pace that’s steadily increasing, feels deeply personal. The idea of covering these mammoths in fabric to stall the inevitable, feels both tragic and emblematic of our relationship with nature: The magnitude of loss countered by gestures that, though earnest, feel powerless. Visually these wrapped peaks evoke images of muddied tents, makeshift shelters that we’ve come to erect for those displaced by upheaval. This fragility, their fragility, our fragility, is a direct reflection of the imbalance we have sown, where those least responsible for ecological destruction are forced to bear its heaviest burdens. The title became a way to frame those divides. Mountains have always symbolised barriers, but perhaps they could also be reimagined as thread, shared histories and a collective belonging. The elemental particles composing our very being once danced amidst these ancient landscapes and if they disappear, part of us does too.
Oakley Medusa Helmet, 2001
The Oakley Medusa Helmet (2002) is an early-2000s performance helmet concept associated with Oakley’s then-expanding push into technical equipment beyond eyewear. The design is defined by aggressive surfacing, pronounced vent geometry, and a highly sculptural shell intended to signal speed and impact protection.
Functionally, the Medusa emphasizes airflow and coverage through a dense network of vents and channeling, paired with a shell profile that reads more armored than minimal. Fit and retention appear to follow common helmet conventions of the era, with the distinctive elements concentrated in the exterior shell tooling and vent architecture rather than hidden internal mechanisms. As a result, the helmet is often discussed as much for its styling and cultural placement as for technical specifics.
Nike Code, Tony Spackman, 2001
Eric Avar'S NIKE Patent Registration Drawings
File contains 76 pdf
Nike Epic Backpack Development
Seven-panelled sun-shutter, Jean Prouvé
Jean Prouvé 1901-1984 Seven-panelled sun-shutter, from the Cité scolaire de La Dullague, Béziers, designed 1956, executed circa 1962-1965 Aluminium, metal. 185.5 x 184.4 x 8.3 cm (73 x 72 5/8 x 3 1/4 in.) Manufactured by Les Atelier Jean Prouvé, Nancy, France.
Estimate £12,000-15,000 $17,800-22,300 €16,300-20,400 provenance Cité scolaire de La Dullague, Béziers, France, circa 1962-1965 exhibited Architecture Biennale, Venice, 7 June-23 November, 2014
Marithe Francois Girbaud Inside Collection Campaigns by Air Paris Agency
Images behind the scenes of the nike free outsole creation.
and wander x Muraco Designs Heron Tent Shelter Sets
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
HERON 2POLE TENT SHELTER SET
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Sonoya Mizuno as Dr. Azumi Fujita — Netflix MANIAC (2018)
Thomas Demand
Jean Paul GAULTIER KYOTO BAL (2002)
Cacoon Hanging Chair
The Cacoon Hanging Chair is constructed with robust engineering to support a weight of up to 200kg or 440lbs. This product was designed in the UK by the collaborative effort of Nick and Sarah, a husband and wife team.
Oscar Niemeyer's MAC Niterói — Louis Vuitton Cruise 2017 Venue
Bruce Weber for Calvin Klein Jeans — 1991 Campaign
Haleakalā Crater — Volcanic Landscape, Maui
Billy Kidd — Portrait of Simone Thompson (Joy Sunday)
MIG 1.42 - PROTOTYPE
Prototype Russian fighter jet spotted on Bing Maps. Built to rival the American F-22 Raptor, the jet lost out to the Su-47.
ESA HERTZ Anechoic Chamber — Antenna Test Facility at ESTEC
Redhill MRT Station — Singapore
Nakagin Capsule Tower — Exterior Detail, Tokyo 2016
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
CP Company Multi-Pocket Goggle Hooded Jacket in Grey
Aitor Throup 2013 “New Object Research” Collection
Sort of Coal — Edible Kuro Charcoal Powder
Robert Häusser J.R. 5-9-70
Gelatin silver print, printed 1999. 43.5 x 58.8 cm. Signed and dated in ballpoint pen lower right. Signed, dated, titled in ballpoint pen as well as photographer's thumb print on the verso. - Framed under glass.
Anti-Skateboarding Deterrents — Granite Architecture Detail
Nike Lunar Pegasus 89
Urbastyle Bench Paris 1 — La Défense
Floral Botanical Print Textile — Kimono or Wrap Garment
IVANKA Concrete Flaster Concrete Tiles
Irving Penn × Issey Miyake — Two Miyake Warriors
Former CGER-ASLK Building, Brussels — Marcel Lambrichs
Fisarmonica with colour variants of Ice Jacket camouflage 1989
"Wendover II (For John)" by Barry Underwood
Nickel Tailings 34, Edward Burtynsky, 1996
From “Manufactured Landscapes: The Photographs of Edward Burtynsky”
Dean Bouchard — Inside Out
Peninsula House by Watson Architecture + Design
Grey Peacock-Pheasant Plumage — Iridescent Ocelli Detail
Akari Hayami — Japanese Fashion Magazine Editorial
Dassault nEUROn — European Stealth UCAV Demonstrator
Xavier Veilhan Faceted Figure Sculpture
Cargo Chair by Benjamin Hubert
The Cargo Chair, manufactured by portuguese brand De La Espada, designed by Benjamin Hubert
Precast Concrete Slab — Texture Study
Bas Princen — Colonnade Infrastructure Photograph
Cave Diving — Diver in Cenote Light Rays
Raf Simons Menswear Lookbook — Photography by David Armstrong
The North Face Purple Label Boa Fleece Hooded Vest
Jin Mao Tower, Shanghai, Above the Clouds
Black and White Mountain Snowscape — Fine Art Alpine Photography
SOLID GRAY Polymer Hard-Shell Backpack in White
Mathieu Lehanneur — Liquid Marble Series
Reynisdrangar Basalt Sea Stack, Reynisfjara, Iceland
Ivan Vitić — Pavilion 40, Zagreb Fair, 1957
Joséphine Le Tutour in Alexander Wang — Numéro Tokyo July/August 2013
Nike Footscape Free White Grey
Hagia Sophia, Istanbul
Kamchatka Volcanic Landscape
Julian Wasser — Arrest on Hollywood Boulevard (1970)
High-Rise Building — Urban Architecture
Ruth Bernhard — Eighth Street Movie Theater, New York (Frederick Kiesler, Architect), 1946
Mount Etna — Volcanic Landscape Sicily
Star Magnolia — Magnolia stellata Macro
BMW 3 Series E90 on a Vine-Covered Hong Kong Rooftop Car Park
Aether Apparel Fall/Winter 2012 Technical Outerwear Lookbook
Eero Saarinen — CBS Building, New York, 1965
Neon Fluorescent Tube Lights — Minimal Light Installation
Rock House by UN Arquitectura / Juan Pablo Nazar
Hanna Putz — Friends of Friends Portrait by Thomas Lohr
Hotel Aire de Bardenas — Cube Room with Outdoor Bath by López Rivera Arquitectos
Engineered Garments Hooded Interliner Knit
Switchable Telescopic Contact Lens — 2.8× Magnification Research Prototype
Dark Suit — N.Hoolywood or Gareth Pugh Fashion Editorial
Plosky Tolbachik Volcano Eruption, Kamchatka
Porter (Yoshida & Co.) Navy Nylon Daypack
David Burdeny — Mercator's Projection, North/South Series
CCTV Headquarters Beijing — OMA / Rem Koolhaas
Dplay Lab Spherical Modular Design Concept
Visvim Serra Pizi Boots — Natural Grey Suede
Keiji Ashizawa _ Bon Drawer
"Bon Drawer" is a set of stacked oak veneer boxes which sit within a light metal frame on wheels, making the storage unit easy to move around. designed by keiji ashizawa, the furniture piece’s five trays can each be fully removed from the structure to become display boxes, revealing and offering easier access to the objects inside.
Theo Stylianides (StTheo) — Vector
Lun-class Ekranoplan — MD-160 at Kaspiysk Naval Base
FUCT — Neck and Hand Tattoo Street Photo, 2012
Nike x Undercover Gyakusou Running Vest
René Burri — New York City, 1988
