IVANKA Concrete Flaster Concrete Tiles








The Inspired by kumakey’s “roBa,” the moNa2 is a small wireless split keyboard developed by shakupan and pooh.polo, designed to keep a desk feeling open and unclaimed. Two compact halves sit apart with a quiet gap between them, leaving room for a notebook or tools without forcing a single, monolithic footprint.
The layout is restrained: low, close spacing with a built-in thumb-controlled ball that keeps basic navigation under the hand instead of pushing you toward a mouse. The whole object reads as light hardware rather than a centerpiece, favors packing and redeploying—such as magnets on the underside so the halves can join together for transport.
It runs wire-free and is meant to be adjusted over time rather than treated as a fixed appliance. Typical usage notes describe it lasting roughly a couple of weeks of frequent daily use before needing attention again, with the exact cadence depending on how it’s set up and used.
Anonymous textile prototypes, Mulhouse, Alsace, c.1840. Rectilinear design sheets generated within the industrial print studios of the Haut-Rhin. Each document encodes surface strategies for mass deployment—pearl rows, abstract chromatic fields, simulated resist-dye grounds. Executed as precision studies for repeat application, they reflect Mulhouse’s role as a nineteenth-century vector hub of textile innovation and print chemistry.




































The Oakley Medusa Helmet (2002) is an early-2000s performance helmet concept associated with Oakley’s then-expanding push into technical equipment beyond eyewear. The design is defined by aggressive surfacing, pronounced vent geometry, and a highly sculptural shell intended to signal speed and impact protection.
Functionally, the Medusa emphasizes airflow and coverage through a dense network of vents and channeling, paired with a shell profile that reads more armored than minimal. Fit and retention appear to follow common helmet conventions of the era, with the distinctive elements concentrated in the exterior shell tooling and vent architecture rather than hidden internal mechanisms. As a result, the helmet is often discussed as much for its styling and cultural placement as for technical specifics.
File contains 76 pdf









Jean Prouvé 1901-1984 Seven-panelled sun-shutter, from the Cité scolaire de La Dullague, Béziers, designed 1956, executed circa 1962-1965 Aluminium, metal. 185.5 x 184.4 x 8.3 cm (73 x 72 5/8 x 3 1/4 in.) Manufactured by Les Atelier Jean Prouvé, Nancy, France.
Estimate £12,000-15,000 $17,800-22,300 €16,300-20,400 provenance Cité scolaire de La Dullague, Béziers, France, circa 1962-1965 exhibited Architecture Biennale, Venice, 7 June-23 November, 2014
Figures from US patent application US20250160486A1, 'Knitted Shoe Upper', filed by Adidas AG (inventors Stefan Tamm, Carl Arnese and James Carnes; published 22 May 2025). The upper is knitted in one piece with two zones, a more elastic yarn and a stiffer yarn, placing stretch and support without seams or separate reinforcement panels. The drawings show the yarn zones and construction across forefoot, midfoot and heel.






The Nossa Senhora da Graça Fort is an eighteenth century fort in the village of Alcáçova, Portugal. Its prominent position atop Monte da Graça (Hill of Grace) made it an important stronghold during the Seven Years’ War, War of the Oranges and the Peninsular War. The fort is part of the Garrison Border Town of Elvas and its Fortifications, a UNESCO World Heritage Site.
38.894444°, -7.164167°
The Archery Hall, one of two sports pavilions FT Architects (Katsuya Fukushima, Hiroko Tominaga) built in 2013 at Kogakuin University, west Tokyo. Each is a column-free room of 7.2 by 10.8 m under an exposed timber roof of horizontal and vertical members, bolt-and-nut jointed. The archery hall uses small timber sections normally used for furniture. Photographs by Shigeo Ogawa.






A concept for a Nike training jacket by designer Joseph Cooper: a close-fitting panelled shell with mapped zones and bonded seams. A sportswear design study.

The horizontal building spans 27,500 square meters and stretches 140 meters in length. It comprises a central creative hub that houses G-Star RAW's essential departments. This creative center is encircled by offices, parking spaces, and supporting amenities. The differentiation between the functional support areas and the dynamic creative core is emphasized by the use of distinct materials. The outer ring is constructed from black concrete, giving it a solid and unified appearance, while the transparent glass facade reveals the vibrant creative core within. The lower section of the ring serves as a base for parking and drop-off purposes, as well as a platform for installations and events.




Designed to be implanted in a plot of a condominium in the city of Santana do Parnaíba, it was possible to develop the project of this house with the contribution of its future resident who, in an unusual way in these situations, he agreed with a house that would establish a more frank relationship with the street.
The Cacoon Hanging Chair is constructed with robust engineering to support a weight of up to 200kg or 440lbs. This product was designed in the UK by the collaborative effort of Nick and Sarah, a husband and wife team.





Text description provided by the architects. The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here. Interior space of the house is designed to maximize the interaction to its surrounding environment.




The Cargo Chair, manufactured by portuguese brand De La Espada, designed by Benjamin Hubert






Work by Aitor Throup, a British artist and designer who develops clothing and figures through drawing. His ink-and-wash figures include the project 'When Football Hooligans Become Hindu Gods'.

"Bon Drawer" is a set of stacked oak veneer boxes which sit within a light metal frame on wheels, making the storage unit easy to move around. designed by keiji ashizawa, the furniture piece’s five trays can each be fully removed from the structure to become display boxes, revealing and offering easier access to the objects inside.




A residence by Lee + Mundwiler Architects, organised as a folded, ribbon-like volume that wraps living spaces around a courtyard, with an angular exterior of clean planes.

The McLaren Technology Centre in Woking, Surrey, headquarters of the McLaren Group, by Foster + Partners, completed 2004. In plan it is a semicircle completed by a lake, which feeds the building's cooling and wind-tunnel systems. A continuous curved glass wall fronts a grid of exposed structure and services. The adjacent McLaren Production Centre shares its language.


Gae Aulenti designed the Tennis bed for Knoll International in 1971. A broad, low platform on a wide plinth, it holds the mattress as a single low volume close to the floor.

Ludwig Mies van der Rohe inside Crown Hall in 1956, photographed by Bill Engdahl (Hedrich-Blessing). Crown Hall, completed that year, houses the IIT College of Architecture in Chicago, where Mies was director; its roof hangs from four exterior plate girders, leaving the interior column-free.

Tokujin Yoshioka's Venus chair (2008) is grown rather than made: a frame is submerged in a tank and natural crystals accrete over it to form the seat and back, so each chair is unique. First shown in Tokyo.


