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EMERY MOUNTAINS
April 2024, FRIEZE No. 9 Cork Street Gallery, London
EXHIBITION: The Mountains Between Us, FRIEZE No 9 Cork St
Weaving together photography, video and sculptural objects, lena_c_emery highlights the accelerated loss of mountain glaciers and the desperate conservation efforts currently employed to impede their decline. Under the continued influence of greenhouse-gas forced global warming, ice that took centuries to develop is vanishing in just a number of years. A fate experts predict for at least two-thirds of all glaciers by the end of this century. EMERY: In ‘The Mountains Between Us’, I capture the current environmental efforts undertaken to reduce the rate at which glaciers melt. Glaciers have held space for centuries, silently bearing witness to history. They’ve seen the world change in ways we can barely comprehend. Because my grandfather spent his life in these mountains, watching this particular glacier retreat and form lakes where there was previously only ice and at a pace that’s steadily increasing, feels deeply personal. The idea of covering these mammoths in fabric to stall the inevitable, feels both tragic and emblematic of our relationship with nature: The magnitude of loss countered by gestures that, though earnest, feel powerless. Visually these wrapped peaks evoke images of muddied tents, makeshift shelters that we’ve come to erect for those displaced by upheaval. This fragility, their fragility, our fragility, is a direct reflection of the imbalance we have sown, where those least responsible for ecological destruction are forced to bear its heaviest burdens. The title became a way to frame those divides. Mountains have always symbolised barriers, but perhaps they could also be reimagined as thread, shared histories and a collective belonging. The elemental particles composing our very being once danced amidst these ancient landscapes and if they disappear, part of us does too.
GR10K Fall 2024 "Incognito"
GR10K "Incognito" Fall 2024 Ad Campaign
JORDAN TWO3 Spring Summer 2002 CATALOG
Marithe Francois Girbaud Inside Collection Campaigns by Air Paris Agency
"Avakareta Life" Editorial Styled by Jun Takahashi
and wander x Muraco Designs Heron Tent Shelter Sets
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
HERON 2POLE TENT SHELTER SET
![Stone Island Navigation Series [shedding light] by Liam Macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2023/09/F5WkecNXQAA78GB.jpeg)
Stone Island Navigation Series [shedding light] by Liam Macrae
Stone Island Navigation Series: Shedding Light by Liam MacRae deploys a canine unit as both subject and sensor. The sequence examines tracking protocols, movement signatures, and light scatter in terrain navigation. Objective: assess animal-assisted pursuit as a guidance vector. Visual narrative captures the moment of release—unleashing the chase to test instinctive tracking against controlled illumination parameters.
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Sonoya Mizuno as Dr. Azumi Fujita — Netflix MANIAC (2018)
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Nike x Undercover Gyakusou SS2011 Details
Gyakusou is Nike Running's collaboration with Jun Takahashi of Undercover, named for the Japanese word for running a course in reverse. Details from the Spring/Summer 2011 jacket: a lightweight ripstop shell in white, grey and red, with a large perforated mesh panel across the back and shoulders for ventilation, bonded and taped seams, a stowable hood, and reflective Gyakusou branding at the shoulder. The vent openings are backed with mesh; the hem and cuffs are elasticated ripstop.
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Oscar Niemeyer's MAC Niterói — Louis Vuitton Cruise 2017 Venue
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Haleakalā Crater — Volcanic Landscape, Maui
MIG 1.42 - PROTOTYPE
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Man of Moods ss2016 Collection
Utilitarian-inspired Japanese fashion brand Man of Moods presents a selection of shots exhibiting a 2016 spring/summer collection titled “Mountain of Moods.” Featuring the brand’s usual blend of sleek lines and practical engineering, “Mountain of Moods” will be unveiled at House Gallery Space in Tokyo on September 15. With photography from Teppei Hoshida and styling by Tomoyuki Sasaki.
ESA HERTZ Anechoic Chamber — Antenna Test Facility at ESTEC
Redhill MRT Station — Singapore
Nakagin Capsule Tower — Exterior Detail, Tokyo 2016
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
CP Company Multi-Pocket Goggle Hooded Jacket in Grey
Robert Häusser J.R. 5-9-70
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Nendoroid Solid Snake
Nendoroid Solid Snake (#447) by Good Smile Company, a super-deformed figure of the Metal Gear Solid character. Comes with the cardboard box, swappable faces and poses.
Anti-Skateboarding Deterrents — Granite Architecture Detail
Mount Sinabung Eruption
Nike Lunar Pegasus 89
Toni Garrn by Philip Gay, Just Do It, Interview Germany 2012
Urbastyle Bench Paris 1 — La Défense
Arc’teryx Veilance ss2013 lookbook
NEIGHBORHOOD 2013 Autumn/Winter Lookbook by SENSE Magazine
Floral Botanical Print Textile — Kimono or Wrap Garment
Irving Penn × Issey Miyake — Two Miyake Warriors
Visvim Sanjuro Kimono
Former CGER-ASLK Building, Brussels — Marcel Lambrichs
"Wendover II (For John)" by Barry Underwood
Angela Lindvall photographed by Mert & Marcus, 2002
Angela Lindvall POP (F/W 2002) ph. Mert & Marcus
Nickel Tailings 34, Edward Burtynsky, 1996
From “Manufactured Landscapes: The Photographs of Edward Burtynsky”
Dean Bouchard — Inside Out
SENSE Magazine visvim Spring Summer 2012
A page from 'TEXT in visvim', the visvim Spring/Summer 2012 feature in Japan's SENSE Magazine (March 2012). Naturally dyed, hand-constructed pieces from Hiroki Nakamura.
SENSE March 2012 the TEXT in VISVIM 2012 Spring Summer
Peninsula House by Watson Architecture + Design
Grey Peacock-Pheasant Plumage — Iridescent Ocelli Detail
Akari Hayami — Japanese Fashion Magazine Editorial
Dassault nEUROn — European Stealth UCAV Demonstrator
Xavier Veilhan Faceted Figure Sculpture
Yung Lean & Bladee Victorious music video by Aidan Zamiri
Forty Percents Against Rights
FORTY PERCENTS AGAINST RIGHTS (FPAR), a Japanese label by Tetsu Nishiyama, who also runs WTAPS and ran the 1990s FPAR. Message-based graphics with military- and workwear-derived cuts; it opened its own online store in 2013.
Precast Concrete Slab — Texture Study
Bas Princen — Colonnade Infrastructure Photograph
Cave Diving — Diver in Cenote Light Rays
Nike Heritage Shoulder Bag Editorial
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A work from Kevin Townsend's Temporary Drawings: large chalk drawings built up on walls and floors as fields of repeated marks, then erased.
Raf Simons Menswear Lookbook — Photography by David Armstrong
The North Face Purple Label Boa Fleece Hooded Vest
Jin Mao Tower, Shanghai, Above the Clouds
Adidas Performance Tank Top and Leggings — Black Activewear Editorial
Black and White Mountain Snowscape — Fine Art Alpine Photography
Boris Tellegen Surface
An installation view from 'Surface', a 2012 Paris exhibition by the Dutch artist Boris Tellegen (Delta). He makes fractured three-dimensional reliefs and sculptures from an exploded-letterform language rooted in graffiti.
Reynisdrangar Basalt Sea Stack, Reynisfjara, Iceland
Ivan Vitić — Pavilion 40, Zagreb Fair, 1957
Joséphine Le Tutour in Alexander Wang — Numéro Tokyo July/August 2013
Nike Footscape Free White Grey
Yohji Yamamoto Editorial — Sculptural Wrap and Pleated Drape
Hagia Sophia, Istanbul
Rethinking the Split House by Neri&Hu, Shanghai
grey93 for 017 Shop
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Credits:
Photography: Aline &Jacqueline Tappia Reynaud
Stylist: Lorenzo Posocco
Models: Charlie & Robin
Hair: Sophie Harris
Make-up: Jasmin Laura Rosso
Assistant: James Rg Neville
Julian Wasser — Arrest on Hollywood Boulevard (1970)
High-Rise Building — Urban Architecture
Unseen Luna by Ash Kingston
Lockheed Martin F-35 Lightning II
The Center Hong Kong
Ruth Bernhard — Eighth Street Movie Theater, New York (Frederick Kiesler, Architect), 1946
Mount Etna — Volcanic Landscape Sicily
Star Magnolia — Magnolia stellata Macro
Hanne Gaby Odiele Street Style — Bandana Portrait
BMW 3 Series E90 on a Vine-Covered Hong Kong Rooftop Car Park
Tao Okamoto by Josh Olins for Vogue China August 2013
SOPH. Hong Kong Store
Outlier Soft Core Wool Vest
Aether Apparel Fall/Winter 2012 Technical Outerwear Lookbook
Jun Takahashi — Undercover Designer Portrait, Dazed June 2013
Eero Saarinen — CBS Building, New York, 1965
Neon Fluorescent Tube Lights — Minimal Light Installation
Aitor Throup
Work by Aitor Throup, a British artist and designer who develops clothing and figures through drawing. His ink-and-wash figures include the project 'When Football Hooligans Become Hindu Gods'.
Rock House by UN Arquitectura / Juan Pablo Nazar
