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Stone Island Shadow Project SS2010 Lookbook
The Stone Island Shadow vector continues with the project's fourth seasonal capsule collection. Fueled by new reactions within the project's original conceptual core, fresh manifestations of fabric, style, detail, and interface emerge as the lightest, yet most comprehensive, offering thus far.
This unique trajectory begins, of course, at a unique point of origin — the inimitable constellation of research and development that is STONE ISLAND. Hidden detail and potential action lies at the heart of each and every Stone Island Shadow style.
Enfolding this in a simpler, softer way, a new focus can be brought to bear on both resolution of shape and fidelity of color. The goal is vibrancy and directness; stripping away the superfluous without sacrificing capability, and the lightness that can only be found by moving through one's environment with zero resistance.
Modular Performance Grid, PARSEQ is the organizational framework upon which the idea is built: PROOF, AUGMENT, RESIST, SKIN and EQUIP. All Shadow fabrics work together as part of the grid — breathable, moisture managing, skin-friendly and maintainable — chosen for their balance of performance technology and the aesthetic treatments for which Stone Island has been known since its inception.
![stone island navigation series [under the radar] by liam macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2025/09/stone-island-navigation-series-under-the-radar-liam-macrae-techspec-02.jpg)
stone island navigation series [under the radar] by liam macrae
Stone Island’'s Navigation Series: Under the Radar by Liam MacRae examines sonar, signal, and instinct in aquatic navigation. Radar sweeps above are mirrored by sharks circling below, drawn to a submerged emblem that acts as both marker and transmission. The study observes how symbol and frequency converge—technology tracing, nature responding.
moNa2 keyboard
The Inspired by kumakey’s “roBa,” the moNa2 is a small wireless split keyboard developed by shakupan and pooh.polo, designed to keep a desk feeling open and unclaimed. Two compact halves sit apart with a quiet gap between them, leaving room for a notebook or tools without forcing a single, monolithic footprint.
The layout is restrained: low, close spacing with a built-in thumb-controlled ball that keeps basic navigation under the hand instead of pushing you toward a mouse. The whole object reads as light hardware rather than a centerpiece, favors packing and redeploying—such as magnets on the underside so the halves can join together for transport.
It runs wire-free and is meant to be adjusted over time rather than treated as a fixed appliance. Typical usage notes describe it lasting roughly a couple of weeks of frequent daily use before needing attention again, with the exact cadence depending on how it’s set up and used.
EMERY MOUNTAINS
April 2024, FRIEZE No. 9 Cork Street Gallery, London
EXHIBITION: The Mountains Between Us, FRIEZE No 9 Cork St
Weaving together photography, video and sculptural objects, lena_c_emery highlights the accelerated loss of mountain glaciers and the desperate conservation efforts currently employed to impede their decline. Under the continued influence of greenhouse-gas forced global warming, ice that took centuries to develop is vanishing in just a number of years. A fate experts predict for at least two-thirds of all glaciers by the end of this century. EMERY: In ‘The Mountains Between Us’, I capture the current environmental efforts undertaken to reduce the rate at which glaciers melt. Glaciers have held space for centuries, silently bearing witness to history. They’ve seen the world change in ways we can barely comprehend. Because my grandfather spent his life in these mountains, watching this particular glacier retreat and form lakes where there was previously only ice and at a pace that’s steadily increasing, feels deeply personal. The idea of covering these mammoths in fabric to stall the inevitable, feels both tragic and emblematic of our relationship with nature: The magnitude of loss countered by gestures that, though earnest, feel powerless. Visually these wrapped peaks evoke images of muddied tents, makeshift shelters that we’ve come to erect for those displaced by upheaval. This fragility, their fragility, our fragility, is a direct reflection of the imbalance we have sown, where those least responsible for ecological destruction are forced to bear its heaviest burdens. The title became a way to frame those divides. Mountains have always symbolised barriers, but perhaps they could also be reimagined as thread, shared histories and a collective belonging. The elemental particles composing our very being once danced amidst these ancient landscapes and if they disappear, part of us does too.
100 CAMOUFLAGE PATTERNS BY NENDO GRAPHIXXX
100 royalty free eps and ai files
This collection of camouflage patterns originally released with a royalty-free CD-ROM containing seamless vector files that can be used for web pages, graphic design, 3D mapping, desktop wallpapers etc. The data is provided in both Ai and PDF file format and can be downloaded below or through the server page.
Nendo graphixxx is a Japanese graphics outfit set up by Kazuo Anazawa, Tsuyoshi Kusano and Kentaro Fujimoto.
Lightning Archives Military Jackets (revised edition)
Lightning Archives Military Jackets (revised edition) is a reference volume that assembles hundreds of vintage military jackets—from field coats to flight and bomber styles—into a 242-page photographic index, printed in Japan. Each garment is reduced to front, back, and detail shots, annotated with brief data about model, era, and origin, turning decades of conflict and logistics into orderly rows of fabric, hardware, and serial numbers. The revised edition simply expands and updates this taxonomy, confirming that uniforms designed for war now circulate as images and commodities, stripped of purpose, filed away as another closed chapter in a series of collectible books.
Download link available below or through the server page.
Arc'teryx LEAF Cold WX Pant LT (Gen2.1) Multicam
Arc'teryx LEAF Cold WX Pant LT Gen 2.1 MultiCam
Arc'teryx LEAF Cold WX Pant LT Gen 2.1 MultiCam Men’s is a synthetic insulated, windproof cold-weather pant intended for direct-action use in low temperatures. A hybrid materials build reinforces high-wear areas at the seat, knees, and ankles to improve durability and service life. Full-length side zips enable quick on/off over boots and allow adjustable ventilation. Fit is stabilized with an elasticized, adjustable nylon web waist and suspender loops for optional suspenders. Cargo pockets provide storage for hats, gloves, and small accessories. PFAS Warning: made with PFAS (per- and polyfluoroalkyl substances) chemicals.
ARC'TERYX LEAF ASSAULT PANT AR MULTICAM GEN2
ARC’TERYX LEAF Assault Pant AR Men’s – MultiCam (Gen2) is a durable, mission-focused field pant designed for mobility, load carriage, and compatibility with boots and protective equipment. The articulated build combines a gusseted crotch for unrestricted movement with an internal knee-cap sleeve that accepts removable soft knee pads or LEAF knee caps (sold separately). Velcro® ankle cuff closures seal over boots to reduce snagging and debris entry. Storage is optimized for work in vehicles and with PPE: hand pockets include an internal folding-knife pocket, expandable cargo flap pockets provide dump-pocket capacity, elongated drop-in seat pockets handle longer items, and thigh pockets are positioned for access when seated, harnessed, or wearing kit.
Materials include NYCO Ripstop Cordura® 6.5 oz (50% nylon / 50% cotton) for balanced abrasion resistance and breathability, plus UFP EV®50 10 mm removable foam knee pads for impact protection.
Invisible: Abbott Thayer and the Art of Camouflage
Abbott H. Thayer is now best known for his portraiture and paintings of angels, such as this one from 1887 held by the Smithsonian American Art Museum. He was also obsessed with nature, particularly how animals could disappear through their color patterns into a landscape.
Thayer identified two visual phenomena undergirding this invisibility: “obliterative countershading” and “disruptive patterning.” In the first, animal skins achieve an illusion of monochrome flatness via coloration darkest in sunlit parts and lightest in areas generally bathed in shadows: examples include the light bellies of otherwise dark rabbit coats or the silver undersides of sharks. The resulting visual compression of a three-dimensional form produces an illusion of monochrome flatness. The second principle takes this illusion to the next level of protective concealment: mottled patterns corresponding to the animal’s habitat disrupt the contours of its flat silhouette, resulting in an impression of not being there.
Visvim Camo G Line FBT
and wander x Muraco Designs Heron Tent Shelter Sets
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
HERON 2POLE TENT SHELTER SET
Junior M.A.F.I.A.
The members of Junior M.A.F.I.A. met as childhood friends of The Notorious B.I.G. All the members were under the age of twenty when the group was formed. The group was composed of three separate groups and two individual artists. The 6s, or 666, (Lil' Caesar, Bugsy, Capone, Chico, and Nino Brown) who claim to know right from wrong and practice it; the Sixes knew Biggie before he was rapping (the other members other than Lil' Kim were added on to the group but still were very close to Biggie). The Snakes (cousins Larceny and Trife) who represent the enraged attitude expressed in a large number of America’s youth, MC Klepto, who offered insight on a life of “boostin' and hustlin'”, and Lil' Kim, (a.k.a Big Momma or The Lieutenant), the only female in the group, who showed the ghetto life from a woman’s point of view. The Notorious B.I.G. acted as the "godfather" to the group.
Combat Swimmers German Special Forces
Distinct Life x USUAL Custom Akai MPC 2500
This harmonious collaboration between Distinct Life and USUAL pays homage to the late great producer via a custom creation rendition of the MPC 2500 — an instrument made popular by J. Dilla.
SASQUATCHfabrix. — SASFAB 2-in-1 Coat/Gilet
Miller's planet from interstellar
Form #7, Josef Schulz, 2003
Josef Schulz is a photographer known for capturing images of modern warehouses and factories, which are typically considered mundane industrial structures with little architectural significance. These buildings, produced worldwide, follow standardized plans and materials, lacking distinct external features to reveal their specific purposes.
Schulz's approach involves studying the essence of his craft through these photographs. He employs digital image processing to remove any elements hinting at the buildings' age, location, or surroundings, transforming them into virtual blueprints. By emphasizing colors, shapes, and symmetries, he turns the buildings into block-like structures, resembling toy architecture and presenting them as idealized versions of themselves.
In this process, Schulz blurs the line between photographic and painted reality to optimize the images. Simultaneously, he reduces the physical buildings to their design concepts and the photographic reality to its virtual representation. His intent is to diverge from the typical pursuit of making digital images appear as real as possible. This approach might leave the viewer perplexed, as they struggle to distinguish between authentic elements captured by the camera and those created through digital tools.
Epperson Mountaineering Large Climb Tote
The Honey Hunters Of Nepal
Nepal is home to the Apis Laboriosa, the biggest honey bee on the planet, and honey hunting plays a significant role in the local way of life. The bees build their hives on the cliffs of the country's foothills, which adds complexity to the honey hunting process. Local honey hunters use rope ladders and baskets to access the combs after driving the bees away with smoke from a fire underneath the hives. They carefully collect the honey treasure from the combs while dealing with territorial bees. The harvesting occurs once a year and begins with a harvest ritual that varies across towns, often starting with a prayer and the offering of flowers, rice, and fruits.
This unique aspect of Nepali culture is captivating, and tourists have the opportunity to witness the bravery of the honey hunters, explore the fascination of the Nepali landscape, and admire the intricate homes of the honey bees.
Wild Things Wind Shirt WT 1.0
A minimally constructed, articulated stow-away hood fits the head snugly, allowing a helmet to be worn over it. The fit of the shirt is generous enough to pull over a mid layer, but fitted enough to keep the wind out. Features include elasticized sleeve cuffs, an adjustable hem, and an angled chest pocket.
Fit: Under Body Armor
Weight: 10 oz
Berry Amendment Compliant: 100% Made in U.S.A.Features:
- 1/2 zip pullover
- One angled chest pocket
- Concealed zippers
- Adjustable shock cord hem
- Stow-away hood
- Elastic wrists
- Dropped tail
Materials:
- 70 denier textured Nylon with silicone encapsulation
cp company urban protection jacket
Lake Rotsee Refuge by AFGH Architekten firm
Thomas Demand
DPM PEACE CRANE OPERATION
created by urban demographics / original concept by UCCI for droppin' lyrics
In the Age of Hawk vs. Dove, the Crane Rises
Operation Peace Crane is a grassroots project designed to spread the the Origami Peace Crane throughout the physical and cyber world. Since its invention centuries ago, with roots dating back even further, the paper crane has been by far the most popular fold, and has come to symbolize peace around the world. Most notably, thousand-linked cranes are delivered to atomic bomb sites and Hiroshima and Nagasaki, as the need for a nuclear-free, peaceful world becomes more relevant yet.
Normally, origami cranes are folded using colorful origami paper, and traditional patterns. We hereby propose a new movement by spreading the crane with camouflage patterns of military around the world. Using the camouflage on the cranes represents the irony of war and peace that are inherent in our society, as if one cannot exist without the other. Today, we must confront the stark reality that the military complex is a worldwide industry, sponsored by the government (not to mention tax payers), which in turn supports the lifestyles of the unassuming public. We must not forget that we share equal responsibility in the proliferation of arms in the world today . We also understand that the mere presence of military force overseas alarm the foreign citizens and governments, instead of stabilizing politically volatile areas. Upon further introspection into the history of camouflage, its evolution and adaptation of design to the ever-changing political balance is parallel to the way humans have adjusted to the economical needs of the world, only to stray away from values of nature, ironically. It must also be noted that the camouflage patterns used herein do not represent any political messages, except for those calling for immediate and everlasting peace.
Reality is not immutable like a rock, rather it is dynamic like water. Although it may be a strong force, we can shape the future by taking part in it, no matter how small the drop. We sincerely hope that this project, done literally by the hands of the people, would reach the hearts of those who desperately seek peace, as we speak. Lastly, the only way to reach true peace will not come from agitated fear, but from true knowledge and inner peace.
Andreas Fuhrimann Gabrielle Hächler - Zielturm Rotsee, Rotsee Luzern
The House of Yagi by Suppose Design Office + Ohno Japan
Text description provided by the architects. The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here. Interior space of the house is designed to maximize the interaction to its surrounding environment.
Oscar Niemeyer's MAC Niterói — Louis Vuitton Cruise 2017 Venue
Avirex x Fragment Design MA-1 Jacket
Bruce Weber for Calvin Klein Jeans — 1991 Campaign
Haleakalā Crater — Volcanic Landscape, Maui
Billy Kidd — Portrait of Simone Thompson (Joy Sunday)
ESA HERTZ Anechoic Chamber — Antenna Test Facility at ESTEC
Redhill MRT Station — Singapore
Nanzenji Temple Autumn Foliage, Higashiyama, Kyoto
Robert Häusser J.R. 5-9-70
Gelatin silver print, printed 1999. 43.5 x 58.8 cm. Signed and dated in ballpoint pen lower right. Signed, dated, titled in ballpoint pen as well as photographer's thumb print on the verso. - Framed under glass.
Remembering Tim Hetherington
via moodmail
Floral Botanical Print Textile — Kimono or Wrap Garment
White Mountaineering Camouflage Jacket
Irving Penn × Issey Miyake — Two Miyake Warriors
"Wendover II (For John)" by Barry Underwood
Nickel Tailings 34, Edward Burtynsky, 1996
From “Manufactured Landscapes: The Photographs of Edward Burtynsky”
Aleppo, Syria. 2013. Photograph by Moises Saman
Dean Bouchard — Inside Out
PRO-Keds KAZzROCK Combat
From their street military shoes series
Peninsula House by Watson Architecture + Design
Dassault nEUROn — European Stealth UCAV Demonstrator
Have a Nice Day — M67 Grenade
Israeli Soldier With Rifle Praying
Bas Princen — Colonnade Infrastructure Photograph
Cave Diving — Diver in Cenote Light Rays
Raf Simons Menswear Lookbook — Photography by David Armstrong
Nonnative Wrecking Walls FW2013 Bomber Jacket
Black and White Mountain Snowscape — Fine Art Alpine Photography
Kapital Fall/Winter 2013 "Indigenous" Lookbook
Reynisdrangar Basalt Sea Stack, Reynisfjara, Iceland
Joséphine Le Tutour in Alexander Wang — Numéro Tokyo July/August 2013
Hagia Sophia, Istanbul
Kamchatka Volcanic Landscape
WTAPS FW13 Lifist Lookbook
WTAPS FW13 Lifist lookbook image with Tetsu Nishiyama riding a vintage motorcycle, part of the collection’s lifestyle-focused presentation.
Julian Wasser — Arrest on Hollywood Boulevard (1970)
Ruth Bernhard — Eighth Street Movie Theater, New York (Frederick Kiesler, Architect), 1946
Mount Etna — Volcanic Landscape Sicily
Star Magnolia — Magnolia stellata Macro
BMW 3 Series E90 on a Vine-Covered Hong Kong Rooftop Car Park
Eero Saarinen — CBS Building, New York, 1965
Neon Fluorescent Tube Lights — Minimal Light Installation
Hanna Putz — Friends of Friends Portrait by Thomas Lohr
