Related_
Dazed & Confused Magazine _ Issue 017 _ June 1995
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North Palisade. Sierra Nevada, California.
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stone island navigation series [reinvent the wheel] by liam macrae
Stone Island’s Navigation Series: Reinvent the Wheel, photographed by Liam MacRae, is part of the brand’s ongoing study of orientation and movement. The work frames navigation as both physical and symbolic—referencing terrain, direction, and systems of guidance. Within the series, “Reinvent the Wheel” emphasizes reinterpreting established structures of travel and perception, continuing Stone Island’s research into exploration and the mechanics of wayfinding.
GR10K Fall 2024 "Incognito"
GR10K "Incognito" Fall 2024 Ad Campaign
JORDAN TWO3 Spring Summer 2002 CATALOG
Marithe Francois Girbaud Inside Collection Campaigns by Air Paris Agency
"Avakareta Life" Editorial Styled by Jun Takahashi
and wander x Muraco Designs Heron Tent Shelter Sets
This tent boasts a straightforward structure, allowing for quick and effortless setup. To assemble, lay the flysheet on the ground and firmly secure the four corners with pegs. Then, raise the center pole at the top. The remarkable simplicity of this setup is unmatched by self-supporting dome-shaped tents, and its generous overhead clearance adds to its allure.
HERON 2POLE TENT SHELTER SET
![Stone Island Navigation Series [shedding light] by Liam Macrae](https://storage.ghost.io/c/14/ee/14eef3be-ca5a-434b-8324-fa1f874026f1/content/images/size/w300/2023/09/F5WkecNXQAA78GB.jpeg)
Stone Island Navigation Series [shedding light] by Liam Macrae
Stone Island Navigation Series: Shedding Light by Liam MacRae deploys a canine unit as both subject and sensor. The sequence examines tracking protocols, movement signatures, and light scatter in terrain navigation. Objective: assess animal-assisted pursuit as a guidance vector. Visual narrative captures the moment of release—unleashing the chase to test instinctive tracking against controlled illumination parameters.
F/CE ONEDAY TECHNICAL TRAVEL BACKPACK
MIlla Jovovich by Juergen Teller
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UNDERCOVER ss2011 "UNDERMAN" Collection
MIG 1.42 - PROTOTYPE
Prototype Russian fighter jet spotted on Bing Maps. Built to rival the American F-22 Raptor, the jet lost out to the Su-47.
Man of Moods ss2016 Collection
Utilitarian-inspired Japanese fashion brand Man of Moods presents a selection of shots exhibiting a 2016 spring/summer collection titled “Mountain of Moods.” Featuring the brand’s usual blend of sleek lines and practical engineering, “Mountain of Moods” will be unveiled at House Gallery Space in Tokyo on September 15. With photography from Teppei Hoshida and styling by Tomoyuki Sasaki.
Salomon Speedcross 3 Camo Titanium
The Salomon Speedcross 3 Camo in Titanium/Dark Titanium/Swamp applies a muted tonal camouflage treatment to the footwear's aggressive trail-running silhouette. A grippy lugged outsole and supportive upper keep it performance-driven, while the low-contrast palette makes it feel more tactical for desert environments.
White Mountaineering x Porter ss2014 Collection
The range draws on Porter’s expertise and sees the first three pieces in either black or khaki with 2800 Denier Nylon construction as the remaining pieces come in black, navy, or camel with premium leather and an embossed marquetry motif.
Toni Garrn by Philip Gay, Just Do It, Interview Germany 2012
White Mountaineering ss2012 Footwear Collection
Arc’teryx Veilance ss2013 lookbook
NEIGHBORHOOD 2013 Autumn/Winter Lookbook by SENSE Magazine
White Mountaineering Camouflage Jacket
White Mountaineering aw2012 Wool Blend Pant
White Mountaineering fw2012 hunting Jacket
White Mountaineering aw2012 3/4 Pant
Sacai Paris — Before the Show, Street Snap by Masataka Matsumura
THE NORTH FACE FALL WINTER 2011 LOOKBOOK
Angela Lindvall photographed by Mert & Marcus, 2002
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SENSE Magazine visvim Spring Summer 2012
A page from 'TEXT in visvim', the visvim Spring/Summer 2012 feature in Japan's SENSE Magazine (March 2012). Naturally dyed, hand-constructed pieces from Hiroki Nakamura.
Swatch Art Peace Hotel Shanghai Interior by Jouin Manku
SENSE March 2012 the TEXT in VISVIM 2012 Spring Summer
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M240 Machine-Gun Range Training
Akari Hayami — Japanese Fashion Magazine Editorial
SOPHNET 2013 FW 7HOLE ZIP UP WORK BOOTS
Bally Spring/Summer 2014 Menswear — Hooded Utility Poncho
Nike Cheyenne Backpack in Tan
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Forty Percents Against Rights
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Worlds End by Vivienne Westwood and Malcolm McLaren “BUFFALO COAT” fw1982
Nike Heritage Shoulder Bag Editorial
UNESCO Headquarters Entrance Canopy — Breuer, Nervi & Zehrfuss, Paris 1958
Raf Simons Menswear Lookbook — Photography by David Armstrong
Adidas Performance Tank Top and Leggings — Black Activewear Editorial
Zin Valley, Negev Desert, Israel — 30° 50' 51.66" N, 34° 46' 56.07" E
Joséphine Le Tutour in Alexander Wang — Numéro Tokyo July/August 2013
Yohji Yamamoto Editorial — Sculptural Wrap and Pleated Drape
Blk White Mountaineering shooting gloves
Cottweiler aw2013
Credits:
Photography: Aline &Jacqueline Tappia Reynaud
Stylist: Lorenzo Posocco
Models: Charlie & Robin
Hair: Sophie Harris
Make-up: Jasmin Laura Rosso
Assistant: James Rg Neville
Unseen Luna by Ash Kingston
Tao Okamoto by Josh Olins for Vogue China August 2013
Jun Takahashi — Undercover Designer Portrait, Dazed June 2013
Interview with Jun Takahashi on Undercover AW13
Q: After two years away from the Paris catwalks, why was now the right time to show a runway collection?
A: After the earthquake disaster, we Japanese were spiritually in the worst state. It’s been two years since then and everyone is hoping to improve the present situation. I am one of them. I chose to have a runway show in Paris in order to restore myself. I thought it would work because going back to the runway was one of the things I had been hoping to do.
Q: Talking of the scar that Japan’s earthquake left on you, did it creatively affect your AW13 collection?
A: I was craving for creation, and that resulted in those one-off dresses. Two years ago, mentally and financially I wasn’t able to create such things. Those one-off pieces are my original works and made intuitively by myself. I am the only one who could make them. They are sacred works to me. I guess I like things where you can feel human warmth.
Q: Why did you call the show ‘Anatomicouture’? Was your intention to expose the inner bones of the garments?
A: It is a mentality of exposing the inner self, corresponding to my desire to reveal my creation and what’s going on in my head.
Q: Despite the skeleton and organ motifs, the collection is beautiful and seductive – does this come back to your interest in the contrast between ugly and beautiful?
A: Ugliness and beauty co-exist in human mentality. I always want to express those emotions.
Q: The AW13 show had the feel of punk performance art – why did you stage it like theatre?
A: Because the theme of this collection is related to human emotions, I thought my theme could be conveyed much better with such staging effects that would move people’s hearts. That’s why I used songs by Cat Power and James Blake. All the songs are great and meaningful and helped me convey what I wanted to express through the lyrics of songs too.
Q: When did your love of fashion start, and how did that lead to Undercover?
A: When I was little I loved drawing and had a twisted personality. I was so into punk during my high school years. My interest in fashion arose when I was around 15 years old and I was hoping to become a designer. At 18, I entered Bunka Fashion College. I was questioning about learning ‘design’ from teachers who were much older than me. So I told myself that I would learn only techniques in the school, nothing else.
Q: Undercover was considered part of a new wave of Japanese designers. How did your approach differ from the likes of Rei Kawakubo and Yohji Yamamoto?
A: I am not sure if Undercover is part of a new wave and I don’t really care. But Rei influenced me a lot on things like breaking stereotypes.
Q: You and your friend Hiroshi Fujiwara collected vintage Seditionaries pieces and published a book about them, and you even appeared in a show of Vivienne Westwood’s designs in Tokyo in 1990. Can you describe the impact punk made on you and explain why it still resonates today?
A: To me, punk means a spirit that questions and abolishes conventional ideas. That is my fundamental principle. You can apply the principle to fashion design. It depends on each season, but I instil punk interpretation into my designs in many ways – for example, by fusing two contradicting elements or applying techniques that are generally considered taboo.
Q: You recently designed lines for Uniqlo and Nike – how did you enjoy those two experiences? Did they feed back into your work with Undercover?
A: The Uniqlo and Nike collaborations are totally different types of designs from that of Undercover. Therefore the collaborations didn’t really affect my work with Undercover. But for my career as a designer, both collaborations became good experiences. Working with Uniqlo gave me the opportunity to learn about the creation of mass products and newly standard items that are totally different from designing avant-garde pieces. As for the collaboration with Nike, I am very satisfied both as a designer and as a runner with the fact that I have been able to create products which integrate necessary functions for running with fashion-design aesthetics, which had often perhaps been missing in the existing sportswear.
Q: You’ve talked in the past of the difficulties with keeping up with the six-month cycle of fashion shows, and skipped showing in Paris for a couple of seasons – how are you currently finding working within the fashion calendar?
A: Right now, I’ve come to the conclusion that the six-month cycle is appropriate. Themes of each Undercover collection vary by season. If we could spend more than six months on a collection, and if we continue to work with the same theme for a year, it would be difficult to keep up the tension towards the theme and I am afraid that the freshness would be lost.
Q: AW13 got a great response. Will we be seeing you back on the runway next season?
A: I could strongly feel that a lot of people were waiting for Undercover and I was very thankful about it. I will be back on the runway next season.
Q: Next year will mark the 20th since you began showing as Undercover. How do you feel you’ve evolved in that time?
A: I went through many phases and experienced many things. There was a time we faced various troubles, or we jumped into things just by force of circumstances. But nothing was wasted. I am responsible for all success and failure of Undercover. I will go forward without being ashamed of the paths I’ve chosen.
Chiaki Kuriyama — Kill Bill Volume 1 Japanese Magazine Feature
Hanna Putz — Friends of Friends Portrait by Thomas Lohr
Dark Suit — N.Hoolywood or Gareth Pugh Fashion Editorial
Undercoverism Fall/Winter 2012 Honeyee Editorial
White Mountaineering x Porter Waist Bag
White Mountaineering x Saucony Jazz Original Pack
Michelle Buswell by Koray Birand, Harper's Bazaar Turkey 2012
S.A. Residence by SHATOTTO
Visvim Serra Pizi Boots — Natural Grey Suede
White Mountaineering GORE-TEX M51 Fishtail Parka
Theo Stylianides (StTheo) — Vector
White Mountaineering Fall/Winter 2012 "Award Tour" Lookbook
Loro Piana Womenswear Editorial — Dark Khaki Sheer Shirt and Turban
visvim Fall/Winter 2012 Grizzly Boots Mid-Folk F.I.L. Exclusive
Haven Camouflage Herringbone Tight Straight Pant — Dark Multi
White Mountaineering Cotton Cloth Luggage Down Vest
White Mountaineering x Porter Fall/Winter 2012 Wheeled Trolley Bag
Engineered Garments Fall Winter 2011, HUgE Magazine
Porter Yoshida White Mountaineering
Men's Street Editorial Portrait — Monochrome
